Sociological Investigation And Research Of Flute Music

Flute art has a long history,originated in far-away European land,introduced to China for nearly 150 years.Over the past 100 years,flute art has experienced a spiral development in China.In the process of development for many years,I have experienced the confusion of the period of social change,the expectation of the period of development and progress,and the expectation of the period of prosperity.Generally speaking,the flute art of our country is in the prosperous period of "blooming branches and spreading leaves,blooming and bearing fruit".Flute art obtains the present achievement,must have the inevitable connection with its beautiful timbre first.The high-pitched region is full-bodied;the middle-tone area is solid and full-bodied;low The sound area is thick and low;let the audience enjoy and forget to return.Second,flute looks exquisite and beautiful and easy to carry.Finally,with the further development of international exchanges.In our country,the public’s understanding of symphony is more perfect and their love for "big band" is accepted.Flute,as an important high-pitched instrument in the woodpipe group of symphonies,is naturally loved by the public.But further horizontal comparison will show that the violin belonging to the western symphony orchestra and the piano of the western ancient keyboard instruments are much better known among the people of our country than flute.What is the cause of this phenomenon? The author thinks that the deepest reason comes from society.Because whether it is flute,piano,violin and other artistic forms,objective and real exist in today’s society.In other words,for any form of art to continue to develop,there must be good creators,performers,communicators,listeners and feedback.And this series of processes is exactly what the Institute of Music Sociology has studied.Domain.The sociology of music is to study the production,dissemination,audience and so on of the real music entity in the society.It can also be said that the sociology of music is the subject of studying the music "movement" at the height of the society.First of all,the author takes "social demand" as the starting point,by discussing the production process of Chinese flute music,the way of communication,the audience and so on a series of chain-like inspection.To analyze flute music which exists in the social reality of objective art Noumenon.Secondly,the paper describes the development of flute music in China from the longitudinal timeline.It is worth mentioning that in this thesis,the social research method,the statistical method,the philosophical inductive analysis method and so on are used to obtain a lot of real and fresh first-hand data.Finally,under the interlacing of horizontal and vertical clues,the analysis of various fresh data is carried out.It is pointed out that flute music must conform to the society in the process of development,and keep up with the point that the times and society grow up together.