The Application Of "On Bones" Inchinese Figure Painting

Chinese painting has a long history,in the long historical evolution process,sprung up numerous outstanding painter,they constantly doing innovation efforts for the development of Chinese painting,exploring the rich and unique national characteristics of painting form and technique,form the style of traditional Chinese painting,including "no bone method" is used as a traditional painting techniques is produced in the process.Line is the soul of Chinese painting,and line modeling is the tradition of Chinese painting.In the traditional Chinese painting,"boneless method" is mostly used in the creation of flower and bird paintings,but there are not many examples in the application of figure painting.Liang kai,a painter in the song dynasty,was the first to apply "boneless method" in Chinese figure painting.He pioneered boneless freehand figure painting with fresh and refined style,forming his own style.After liang kai's boneless figure painting,the process was slow,and there was no new development until the reform and opening up.Throughout the history of Chinese painting,the social environment in different periods will affect the development of its politics,economy and culture.Up to now,boneless figure painting is also inevitably faced with the impact of new social environment and the development of The Times.The creation theme,color concept and expression language have changed a lot.This article is mainly divided into four parts to discuss the author of boneless figure painting in different historical periods of artistic expression of the study and analysis of life experience combined with the creative practice process.The first part mainly combed the no bone figure painting and historical origin,the concept of the second part in this paper,the contemporary no bone painter's works not bone method in modern times art of figure painting,the third part is a school girl for subject matter and application of "no bone method" to practice process of the creation of the reflection in the fourth part summarizes the creation and comprehension of no bone figure painting in the development of thinking.