The Research And Practice Of The Artistic Language Of "Ting Qin Tu" In The Creation Of Contemporary Meticulous Figure Painting

Song Huizong occupies an important position in the history of Chinese art.He led the development of painting in the late Northern Song Dynasty with his own aesthetic standards.The aesthetic concepts and spiritual pursuits reflected in his works are typical and representative in the mainstream value level.This paper explores the aesthetic construction method,spatial layout and artistic conception expression of the traditional Chinese meticulous figure painting "Tingqin Tu" through literature research methods and image research methods.In-depth analysis of the artistic language and creative concept contained in Song Huizong’s "Ting Qin Tu",trying to explore new ideas for the creation of contemporary meticulous figure painting from tradition,and combining personal tool practice of traditional creative concepts,so as to carry out traditional creative concepts.Innovation and expansion.By analyzing the relationship between the characters,the setting of the scene,and the metaphors behind the picture,and taking the thinking of the fine brushwork figure painting in the contemporary context as the starting point,it focuses on analyzing the emotional characteristics and themes of the fine brushwork figure painting creation.Key information such as selection,object image schema,etc.,develop new thinking guidance and understanding for the creation of contemporary fine brushwork figure painting,and then place personal creative practice in the context of contemporary creation,and further explore the basic laws and creative concepts of fine brushwork figure painting creation.On this basis,a personalized creative view and methodology are formed.The thesis is mainly divided into four parts: the introduction part presents the research background,purpose and significance,research status and research methods,forming the necessity,reality and feasibility of this research.The second part: mainly analyzes the aesthetic pursuit,aesthetic emotion and aesthetic taste of "Ting Qin Tu" from the perspective of aesthetics,and has a deeper understanding of the cultural background of the times generated by the works of "Ting Qin Tu".Create a solid theoretical basis.The third part: Taking the composition of the "Ting Qin Tu" as the research object,it conducts research from the positional relationship between the character layout of the painting and the location of the scene,and the expression of spatial artistic conception,and explores the relationship between the composition and spatial layout of traditional meticulous figure painting.connection,and the possibility of application in the creation of contemporary meticulous figure painting.The fourth part:While studying traditional painting concepts,explore creative concepts that keep pace with the times,and the transformation of traditional painting concepts in the contemporary creative context.The fifth part: briefly expounding the personal creative process and creative practice experience,trying to combine the above theoretical understanding with personal creative practice to further enhance the understanding and understanding of the creation of fine brushwork figure painting,and seek inheritance,innovation and development.