| The art and culture of Chinese opera has a history of more than 2,500 years from the germination of the pre-Qin Dynasty to the present.It is a microcosm of the traditional culture of our country,which combines the strengths of one hundred schools.As a kind of young opera,Huangmei Opera has accumulated a great deal of strength and added a great deal of ink to Chinese opera.From stage communication to mass communication,Huangmei Opera has been working hard to combine with the new mode of communication in every era,and has stepped out of its own way of communication.Its distinctive regional characteristics have brightened the eyes of the masses.Its popularity is popular with the masses.Therefore,this paper analyzes the communication process of Anhui Huangmei opera from the perspective of cultural communication research.Hope to enrich the study of the spread of Huangmei opera.First of all,in the preface,this paper mainly discusses the research background,the purpose,the significance of the research,and carries on the literature review to the existing articles on the communication of Huangmei opera,on the basis of which,it establishes the innovation and argument of the article.In order to deepen the theory and practice of the article,this paper uses the research methods such as content analysis,case analysis and so on to sort out and analyze the collected data.Next,it mainly describes the relevant concepts of Huangmei Opera and combs the whole development process of Huangmei Opera in Anhui Province,analyzes that Huangmei Opera has been in the state of rising abruptly based on accumulated strength before the founding of the people’s Republic of China,and has flourished after the founding of the people’s Republic of China.With "Mei Kai three degrees," a good scene.In allOn the basis of understanding the development history of Huangmei Opera,this paper lays the groundwork for the following communication research.Secondly,the article interprets the symbolic meaning of Huangmei Opera itself,and constructs the semiotics meaning of Huangmei Opera from the non-linguistic symbols of Anqing dialect,saying,singing,subtitle,music,costume makeup,stage,and so on.Let us have an intuitive concept of the artistic characteristics of Huangmei Opera.On the basis of constructing symbols,this paper analyzes the coding process of Huangmei Opera by using the theory of "coding and Decoding" of communication theory,and divides the encoding process of Huangmei Opera into three stages.After coding layer by layer,the meaning of subject code is presented to the decode.Then using the theory of "decoding",this paper analyzes the decoding process and the three kinds of stand that the decode may appear.Field or attitude:dominant hegemony position,compromise negotiation position,confrontation position.Finally,some deficiencies in the process of communication,such as communication content,communication channels,audience feedback,are described.At the same time,in view of these deficiencies,this paper puts forward corresponding solutions and innovative paths,hoping that the communicators of Huangmei Opera will set up the concept of focus,grasp the market,and spread the "short,micro" products that are more acceptable to modern people.And strengthen the collection of feedback information,pay attention to the response of the audience,the real use of theory to guide practice.At the end of the paper,the author summarizes the present situation of the communication of Huangmei Opera,explains the shortcomings of the article,and hopes that the study of the communication of Huangmei Opera can focus more on the actual situation.The problem,especially how to deepen the combination of Huangmei opera and new media is the most important in the spread of Huangmei opera. |