The Research Of Yuan Mei’s XuShiPin

XuShiPin,the work of Yuan Mei,are the same style as the ShiPin which written by SiKongTu.But their contents are different.Si Kongtu’s ShiPin pays attention to the realm of style,while Yuan Mei draws a new path on the basis of ShiPin and "Miaojing",and writes the painstaking efforts and a series of aesthetic problems.Although there is no strict order in the whole department,there is a certain logic.There are many subtle insights into the problems of creation and appreciation.Compared with another piece of Yuan Mei’s SuiYuanShiHua,XuShiPin is not like poetry.It is so free and versatile,but more refined,and it is also a development of the "sexuality theory."The problems that need to be solved around XuShiPin include the meaning of the "character " embodied in the works,its overall structure,its poetic theory and the inheritance of the previous generation of poetics and its transcendence.The so-called"character" of Yuan Mei’s XuShiPin is a poetic character,which means that XuShiPin is not a "poetic method" as one has said,but has its own unique aesthetic pursuit;"continued" is the continuation of ShiPin,which means that Yuan Mei is written after Sikongtu.At the same time,Yuan Mei has his own development on the basis of predecessor theory.These two points are rarely discussed by many scholars.The in-depth study of these two points helps to reveal the poetic thought of XuShiPin and complements and perfects the study of Yuan Mei’s poetics.The opening of the article focuses on combing the footholds of the "poetry" literary criticism genre "character" and its changes,and the leaves are rooted.At the first," taste"means to be judged.In Wei and Jin Dynasties,there was a "nine products in the system",which was intended to examine the character of the characters.To Zhong Rong,he still want to judge people.Zhong Rong listed the poet as a top,bottom,and bottom.and then observed his poetry.Si Kongtu’s ShiPin comes from Zhong Rong,which is a style of poetry.To Yuan Mei,it still continues the tradition of Sikongtu,and at the same time it has new changes,and it pays great attention to the character of poetry.Looking at the thirty-two pieces of Yuan Mei’s XuShiPin.there is a standard of poetry beauty in the discussion of creation,namely.Xianwei,Anya.etc.This aesthetic pursuit of fresh poetry and true feelings is exactly Continued poetry,the new connotation of poetry criticism.It is also necessary to interpret the structure and content of the XuShiPin.XuShiPin contains thirty-two articles,which are rich in content,and many of them constitute a discussion of some aspects of creation.They can be roughly divided into three parts:poetry character,creator’s self-cultivation attitude and creative method.In the character of poetry,Yuan Mei admired "baozhen","zhencai","Anya",etc.,all of which embodies his aesthetic pursuit.The creator of the subject should be temperamental and must have a certain degree to learn.Part of the creative method Yuan Mei discussed in detail the series of processes from the preparation stage to the writing and modification,and enumerated and discussed the methods that should be studied when creating.The inheritance of the poetry of the previous generation in "Continuous Poetry" is also worth noting.XuShiPin is the continuation of the ShiPin,because there are many similarities between them,not only in the form,but also on the content of the creator’s subjective cultivation.At the same time,the spiritual theory embodied in the poetry theory of XuShiPin is largely derived from the characteristics of the predecessors’ poetry theory.Both Zhong Rong and the GongAnSanYuan have had an important influence on the formation of Yuan Mei’s spiritual theory.The end of the article focuses on the transcendence of XuShiPin.On the premise that Sikongtu wrote the wonderland,Yuan Mei took another painstaking effort.The meaning of "continued" is not only to continue the ShiPin,but also to say that the empty map is not spoken.The picture advocates the transcendence of poetic theory.For example,"flavor" points to "flavor of taste" in Sikongtu,and points to "savory taste" in Yuan Mei.Then Yuan Mei’s theory inherited others,the public sentiment of the San Yuan advocated the sentimental and anti-ancient psychic theory had a great influence on Yuan Mei.Yuan Mei’s theory of sexuality is unique to the predecessors’ theory.Its connotation has two levels.One is the main feeling,the self-expression and the individual liberation.and the other lies in the spirit of poetry.The organic integration of the spirit and the temperament is an important reason why Yuan Mei is unique in his predecessors.