The Aesthetic Ideology In Works Shan Shui Chun Quan Ji

This article takes the aesthetic thought of Shan Shui Chun Quan Ji as the core and interprets this painting monograph of Song Dynasty from three angles:writing structure and purpose,the basic connotation of aesthetic thought and aesthetic education.In terms of the structure and purpose of writing,this paper analyses the background of the times and the object of service of the author's creation and considers that this is a painting theory textbook for the teaching of Song Dynasty of Painting Academy and an art monograph integrating aesthetic thoughts and aesthetic education.The Taoism thought of Song Dynasty prevailed and was deeply loved by the Royal family;the two schools of Confucianism and Taoism were miscellaneous and the status of Confucian scholar was widely sought after in society;the court painting activities were vigorous and varied,and the painters working in the painting academy needed not only to learn painting techniques but also to learn to enrich themselves.In aesthetics,the core of Shan Shui Chun Quan Ji is "beauty in an image".This is a high generalization of ancient Chinese aesthetics based on modern aesthetics.It focuses on three aspects: "object image","image to image" and "image ultimate presentation".It is believed that the aesthetics of Shan Shui Chun Quan Ji is an artistic beauty in the final analysis.The main object of discussion is aesthetic activities,focusing on the discussion of "the construction and presentation of aesthetic images" rather than "the essence of beauty".In addition,Shan Shui Chun Quan Ji holds that the orientation of aesthetic creation lies in the perfection and cultivation of personality,namely "cultivation of character".Shan Shui Chun Quan Ji combs the lack of human aesthetic ability and cultivation methods,and runs through the word "Shelter".The starting point of education in Complete Works of Mountains and Rivers is to purify people's hearts and make the formation of aesthetic images go smoothly.It is a process of "deconstruction" in the context of Confucianism.The last part talks about the influence of the aesthetic thought of Shan Shui Chun Quan Ji,in order to show the ideological value and historical status of this work.