| Shan Shui Ch’un Ch’üan Chi’ is the theory about landscape, the writer is Han Cho in the late Northern Song. The Shan Shui Ch’un Ch’üan Chi’ have almost no research currently, the text will studies this issue by Han Cho’s biography and position, Shan Shui Ch’un Ch’üan Chi’s versions, the writing and nature of the Shan Shui Ch’un Ch’üan Chi’ to reveal the position of art history by philology, art history and bibliology.First,To Han Cho’s biography and position, In the past research, Han Cho usually be mistaken for working in the Han-lin Painting Academy, in the fact, He is the painter in the Han-lin Caligraphy Academy. I think Han Cho made a Caligraphy tai-chao or a secretary on the History Board with a title pf chih chang and a rank of tai-chao.Shan Shui Ch’un Ch’üan Chi’s versions has always been a dispute, the author think Shan Shui Ch’un Ch’üan Chi’s version have changed in Ming Dynasty. The Shuofu version has ten chapters, but it missed many contents. Mr.Yu Jianhua has edited the Shan Shui Ch’un Ch’üan Chi, the Yu’s version is also the best version in recently. The author found the Ch’un Ch’üan Chi by Shen Bianzhi in National Libarary of China and according to the Shen Bianzhi’s version to revised the ten pieces in Yu’s version. Then, the author judge the authenticity of the last chapter of Shan Shui Ch’un Ch’üan Chi by version, writing and contents.Finally, author study it by the trend of retro, Han Cho’s literati paintings’ view and writing method. Every coin has two sides,we should have an objective understanding of the Shan Shui Ch’un Ch’üan Chi now. About the Shan Shui Ch’un Ch’üan Chi’s nature, the author think it is to be the landscape textbook in the Han-lin Painting Academy by its content, forming time and the background of Han Cho. |