Study On The Application Of Miao Embroidery Elements In Packaging Design In Western

In recent years,"national image" has gradually turned to national literature,i nward-looking perspective,national narrative and poetic strategy,etc.,in an effort to enter the memory source and emotional depth of a specific nation,and creat e a new landscape of Chinese national films in an independent,internal and ope n way of expression.Ethnic minorities in the global context are increasingly defi ned by specific ecological space and regional expressions.However,in the past decades of Chinese image-oriented creation,the passive political "other-shaping" has gradually changed into the national and artistic "self-shaping" form,which te nds to be diversified and integrated.The authenticity of ethnic films and TV pro grams and "ethnic modernity" are gradually gaining popularity.With the develop ment of intangible cultural heritage,the video works of intangible cultural heritag e are also slowly clarifying their "vitality","originality" and "history".Xiangxi tujia and miao autonomous prefecture is famous for its specific natu re,history and folk culture.There are many types of intangible cultural heritage in the prefecture,including folk customs,culture,legends,history and festivals.As an ancient ethnic group in China,miao people are often labeled as "the ethni c group famous for legendary trickery",while the "ritual sense" in the life and b ehavior of miao people is constantly extended and transmitted between generation s.As a kind of ritualistic festival for miao people to celebrate harvest,festival e ntertainment and sacrifice to ancestors,miao New Year's sense of ritual and festi val as well as "nian" 's cognition of miao people and their sense of national bel onging should be the key to be expressed in the video presentation.Therefore,it is of vital importance to present the differences of miao nian's films and TV pr ograms in the pluralistic modernity and promote the prosperity of miao nian's vi deo works.This paper from the modern standpoint,the truth of minority films through the ceremony,culture,and he's quite refactoring,a detailed interpretation of the original film,ethnic heritage,film and television of the "original" choice,festival s ritualized spread,the spread of the national culture "plastic" "plastic",etc.,and then combines visual anthropology and graduation design practice "ping lang mi ao years" of image works to analyze and expound the heritage protection of nati onal festival culture under the background of the image spreading,heritage and r escue,in the hope of a better convey the history of ethnic minority culture and festival ceremony of identity.More to create a specific cohesion of clothing,app earance,language,singing and dancing and daily diet,mode of labor,folk custo ms and architectural form,behavior habits of the visual spectacle.