Study On The Protection And Development Of Qitian Shenggu In Lingbao Of Henan Province

Chinese folk dances are the rich crystallization of the history and culture of the Chinese nation and an important part of the inheritance of Chinese classical art.With the rapid development of global economic integration,the advancement of our country urbanization,the rapid change of people's living way,lost of traditional art and extinction can happen at any time,folk dances are struggling in the "history" and "modern" between the edge of contradiction,the preservation of folk dance,protection and development is faced with difficulties.In view of this,efforts to protect and develop folk dance are not only the concrete practice of respecting the creativity of its holders,but also an important part of the deepening protection of intangible cultural heritage."Qitian Shenggu" as a high-quality folk dance native to the western regions in our country,the exploring study,not only be beneficial to stay in the drum of inheritance development,more conducive to China's intangible cultural heritage protection and development of folk dance more comprehensive system,and provide reference for similar research of folk dance."Qitian Shenggu" from the village between the countryside,has a long history and culture.Originally from the traditional folk music form of gongs and drums evolved,the Qing Dynasty,the development of folk dance scale and widely spread in Lingbao area the western of Henan province.It is a combination of instrumental music,dance,traditional Chinese opera,martial arts,acrobatics,performance and other elements as one of the comprehensive art performance forms,rich and diverse content,grand spectacle,performance shock,inspiring and sense of humor,full of rich cultural connotation and local literary drama characteristics.It often appears in some of the local major folk customs and ceremonies and celebrations,every Spring Festival,the Lantern Festival,folk sacrifice,marriage and funeral,crop harvest,elders birthday,are accompanied by Qitian Shenggu,drum roaring,passionate art performance.In the local,Qitian Shenggu has a higher social function and value meaning,plays an irreplaceable role.After several years," Qitian Shenggu " has been passed down from generation to generation by means of both inheritance and family inheritance.Mr.Zuo Changyi,74 years old,is the 64 th generation inheritor of today's " Qitian Shenggu ".He sticks to it and is not afraid of difficulties.He has devoted his whole life to the inheritance and development of " Qitian Shenggu ".In March 2007," Qitian Shenggu " was included in the first batch of intangible cultural heritage list of Henan province,and received enthusiastic attention and support from the people.Based on the " Qitian Shenggu " protection and development as the research direction of concrete based on the history of the " Qitian Shenggu ",local characteristics,culture,art form,the traditional model,analyzes the development present situation of the inheritance and development to explore the existing problems,and puts forward protection measures and development,not only can make the " Qitian Shenggu " art essence is able to pass on,to better promote the generation of folk art and derivative interest rates,but also for the protection and development of the same kind of folk literature and art work to provide enlightenment and reference.This paper is composed of introduction,text and conclusion.The first part,introduction,mainly explains the source of the subject,purpose,significance and research methods,and points out the direction for the following overall research.The second part,the main text,has four articles of association.The first chapter is a macroscopic investigation and analysis of the historical evolution of "Qitian Shenggu",focusing on the natural environment,cultural background and historical origin of the birth and development of "Qitian Shenggu".In the second chapter,the artistic form and characteristics of "Qitian Shenggu" are introduced in detail,including costumes,costumes,props,basic dance steps and movements,formation scheduling,accompaniment instruments,drums and the overall performance of "Qitian Shenggu".In chapter 3,the current situation of inheritance and protection of "Qitian Shenggu" is explored.Based on the actual investigation of specific inheritance matters,the problems hindering restrictive development are summarized and listed.The fourth chapter studies the countermeasures of protection and development of "Qitian Shenggu",puts forward the ideas and ways of inheritance and development,and explores the protection and development paths that adapt to The Times and are harmonious and abundant.The third part,the conclusion,summarizes the full text.