The Space Writing And Historical Reconstruction Of TV Docunmentary South Of The Ocean

The history of Chinese immigration to southeast Asia is not only one of the important topics in the study of Chinese modern history,but also an indispensable part of the wave of global migration.In 2013,The television documentary named South Of The Ocean,which was broadcast on CCTV-9,showed a full picture of the Chinese immigrant history.With broadcast,this documentary has triggered the academic discussion on the history of immigration and historical documentary research again.My article will take the historical philosophy as the theoretical angle,and take the television documentary South Of The Ocean as the research object,then through the text careful reading,the chart mutual proof,the historical narration and the space writing and so on methodology to carry on the elaboration.Spatial writing skillfully combines the space-time integration of film and television historiography,which provides a multi-dimensional narrative angle and narrative mode.Therefore,this paper will discuss in different writing levels from three theoretical perspectives: discourse space(corpus level),narrative space(semantic level)and story space(grammar level).How to carry on the concrete narrative practice based on the spatial nature of the creator.First of all,under the influence of realistic view of history,this paper enters the realistic corner of historical discourse from the perspective of snooping,and discusses the relationship between its realistic symbols and historical representation.It further interprets the geographical space and power space that are misread and obscured under the discourse of power.And the belief space and living space that have been established and dispelled in the historical spirit.Even the memory space and ritual space that are left behind and created in historical memory.These three levels are different from each other and dependon each other,which together provide a basis for the change of place and space in historical discourse.In addition,under the influence of expressionism historical view,it enters the fictitious scene of historical narrative from the perspective of direct impact,and discusses the interaction between its media channel and historical reproduction.This paper discusses the spatial writing of historical stories from the three levels of realistic spatial scenario representation,virtual spatial scenario representation and visual field emotion tracing.These three levels of space distinguish each other more progressive,through the medium of space,the history of Chinese immigrants in the south seas redefined.Finally,under the influence of postmodernism view of history,the writing of historical text is constructed from the perspective of intervention,and the mutual care between its narrative plate and historical reconstruction is discussed.Firstly,the meaning of the event space is extended through scenario writing and retrospective narration,and then the path of history and future,events and society is set up with events as coordinates.Secondly,it constructs the object diversity of social space through multiple line writing and concurrent narration,and further weaves the historical network,connecting the similarities between immigrants of different regions and different ethnic groups.Finally,the daily aesthetics of cultural space is created through marginal writing and disenchantment narration,and the historical landscape is further involved to restore the historical text that is no longer sacred and unique.These three levels distinguish and interweave with each other,showing the network of history after reconstructing the story of space writing.After combing and summing up the thought of the subject of the paper,the evolution of the aesthetic paradigm of documentary is also summarized and summarized.Furthermore,this paper puts forward some suggestions on the study of the history of migration in the world and the writing of documentary documents on the history of migration.