Representational Representation Of Painting Public Reconstruction And Its Significance

The emergence of figurative painting has responded strongly to the crisis of modern art.Figurative expressionism painter group not only established a new framework of art,the "space" as the basis of painting art is the public,at the same time,based on the research of eyes watching or observing boom,they put forward "new visual patterns" as a new public resources,reality and found enough to support them the philosophical foundation of painting experience,respect individual,constantly pursuing real vision,establish a new mechanism to restore public art.Based on the reconstruction of the public nature of representational painting,this paper focuses on the concept of representational painting,the concept of public nature and the crisis of modern and contemporary painting,and points out how to rebuild the public nature of representational painting and its significance through the case study of of the group of representational painters at home and abroad.The first chapter is the contemporary figurative representation of painting and art publicity,the first part describes the concept of figurative representation of painting,development history and and domestic status quo;The second part describes the research status and concept of art publicity,as well as the analysis of art publicity from the perspective of painting language and painting content.The second chapter is the crisis of the lack of publicity in modern and contemporary painting,pointing out the lack of publicity in the artistic expression and artistic transmission of modern painting and contemporary painting respectively.The third chapter is the reconstruction of representational painting to the public.The first part introduces the theory reconstruction.The second part explains how the representational painting painter reconstructs the public from the perspective of painting practice with cases.The third part is the study of the group of representational painters in the China academy of fine arts.The fourth chapter is the significance of reconstructing the public nature of figurative painting,which is to find the self-clarity and self-sufficiency that art should have,improve the universality and effectiveness of the communication of art among the public,and promote the unity of human spiritual culture and the public nature of art.Finally,the paper discusses the expression and experiment of the public proposition in the concrete oil painting creation from its own point of view,and briefly describes its own state and learning perception in the creation.