Origin Of The Term "Yipin" From The Perspective Of Thought History

"Yipin" is the core term of the ancient Chinese aesthetic system.It was p romoted to the top of the painting theory in the Song Dynasty.This shows th e importance of this term.The purpose of this article is to better explain the r easons for the formation of "Yipin" terms in the perspective of the history of thought.There are two major factors in the formation of the term "Yipin".First,b efore the "Yipin",the culture of literary and art products was formed;The sec ond is that the value of "Yi" was established during the Wei and Jin Dynastie s.This article will discuss the atmosphere of literature and art products,and m ainly take "Yi" as the central keyword,using the ancient literature database,to carry out textual research on the meaning changes of "Yi".The value of "Yi" is mainly respected and established because of "YinYi" and "FangYi".Among them,the word "YinYi" has already had the meaning of moral value in the Han Dynasty,and during the Wei and Jin Dynasties,it became a trend to bec ome a representative of the moral and moral integrity of intellectuals;"Release" is under the influence of the thought of "Ren Nature" in the metaphysics of Zhulin.When scholars and literati pursue the spiritual realm of "Ren Nature",they use the act of "FangYi" as a practice of moral cultivation in the real w orld.Afterwards,the most ultimate moral value of "nature" was established in the later period of metaphysics,and the "release" representing the pursuit of "n atural" moral value became the personal moral cultivation method generally pursued by scholars and literati.Finally,the analysis of the two kinds of "Yipin" that appeared in the Ta ng Dynasty shows that the concept of "Yipin" in the Tang Dynasty is basicall y directly inherited from the ideological concept of "Yi" during the Wei and Ji n Dynasties.The true value of "Yi Pin" is that it embodies the unique artistic spirit and aesthetic standards of Chinese literati.The pursuit of the spiritual r ealm and moral cultivation is reflected in practice in the painting.