| The broadcast of "Empresses in the palace" in 2012 opened the prelude to the domestic "Big Lady" TV series,and the type of TV series dominated by female narration began to enter the public field of vision.Since then,under the impetus and development of a series of TV dramas,such as "The Empress of China","The Journey of Flower","Les Interprètes","Nothing gold can stay","Story of Yanxi Palace",and a series of TV dramas that focus on female narration and express feminism,The type of domestic "Big Lady" TV series is becoming more and more mature.The popularity of the Big Lady TV series reflects the gradual awakening of the audience's sense of female independence.However,there are few researches on the TV series "Big female Master",and the type definition model is less.There are few studies on paste,narrative structure,cultural connotation and so on.Therefore,this paper will study the creative types of "Big female Master" TV series from the following aspects:The popular TV series "Big Lady" reflects the audience's gradually awakening consciousness of female independence.However,there are few studies on "Big Lady" TV series,such as vague definition of types,narrative structure,cultural connotation and so on.Therefore,this paper will study the creative types of "Grand Lady" TV series from the following aspects:The preface includes the source of the subject,the collation of the relevant academic literature,as well as the significance and methods of the research.The first chapter mainly discusses the current situation of the development of domestic Big female TV series.First of all,from the aspects of broadcast time,script source,subtype,viewing rate,network click rate,Douban score and so on,this paper combs 95 TV dramas broadcast in the six years from 2012 to 2018.This paper summarizes the prosperous history and development of various subject types of "Big female Master" TV series.Secondly,under the guidance of typology theory,collate the relevant academic materials,give the definition scope of a "big woman master" TV series,and take the two elements of "growth" and "big" as the core of the paradigm to grasp this type.In the second chapter,combined with the principle of surface grammatical structure in typology,the TV of "Big woman Master" in China is further subdivided into four subtypes to expand and discuss.These four sub-types are: "Cinderella Charming" mode of dream love "Big Lady" drama,"Women's pursuit of career" workplace business war "Big Lady" drama;This paper describes the family ethics "Big Lady" drama of "parents are short" under Chinese social relations.Finally,it is the unique theme type of "big woman master" born in the special historicalperiod of China,including the palace fight drama,the rural bitter "big woman master" drama and the war army "big woman master" drama.The third chapter,combined with the principle of deep semantic structure in typology,abstracts the deep cultural implication behind the narrative structure of domestic "Big female Master" TV series,including: first,to discuss the different degrees of the strong attributes of "Big female Master";The second is to analyze the mutual help from the same sex and the sympathy and charity from the patriarchal culture received by the "eldest female master" on her way of growing up,as well as the struggle and harm in the competition between all parties in the context of patriarchal culture.Third,the frustration and trial of the "eldest female master" in the process of her growth and the realization of the value of the self is the final destination of the "eldest female master".Fourth,it is to discuss the most essential part of the "eldest female master".Hand-patriarchal culture(symbol).The fourth chapter analyzes the plight of women in the current historical and cultural context,including the choice of "love" and "career",the difficult situation in the workplace;And the Utopian self-escape and castration under the influence of patriarchal culture.The fifth chapter mainly summarizes the crux of the type creation of "Big female Master" TV series,analyzes the problems existing in its script itself,and the influence of other factors on the development of "Big female Master" TV series.And based on the above problems,this paper puts forward some feasible suggestions for the creation and development of the Big Lady TV series. |
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