Study On The Literature Acceptance Of Ban Gu In The Han Wei Jin Southern And Northern Dynasties

This paper mainly studies Ban Gu's literary acceptance during the Han Wei Jin Southern and Northern Dynasties.Ban Gu plays an important role in the history of literature,and his works and thoughts are often interpreted by the later generations of literati,whose significance and value are recognized in the process of imitation and interpretation.The influence of social background,literary trend,artistic aesthetics and other aspects makes its acceptance show different characteristics.This paper will divide Ban Gu's acceptance into two levels according to the period: The study of acceptance with creators as the subject and critics as the subject.The works,characters,and works that can typically reflect the acceptance of Ban Gu will be discussed separately.This paper will be divided into five parts:The first part is the introduction.First of all,the overall grasp and analysis of the current research status of Ban Gu.Then explain the practical significance,research characteristics and possible innovations of the topic.The second part mainly discusses the characteristics of Ban Gu's literary works and the epochal significance of his literary thoughts.Ban Gu's development and innovation in literature,and its five words " Lamenting the History" has been inherited and innovated.Scholars often use the ancients and history to express poem's pioneering achievements.The third part mainly discusses the acceptance of Ban Gu's works by literati in the Eastern Han Dynasty.In terms of evaluation,Wang Chong,a literati at that time,highly affirmed Ban Gu's literary status and his thoughts on ode to beauty.In terms of creation,Ban Gushikai's style of writing Kyoto Fu by literati in Eastern Han Dynasty and Zhang Heng's imitation of Ban Gu's Er Jing Fu by Ban Gu's Liangdu Fu have become another peak of Kyoto Fu creation.Generally,Zhang Heng imitates Ban Gufu's theme conception,and his ideological tendencies are different according to the different background of the times.In addition to Kyoto Fu,the literati of Eastern Han Dynasty imitated Ban Gu's Ta Bin Opera.The fourth part mainly discusses the inheritance and innovation of the literary themes of Ban Gu by the literati of Wei and Jin Dynasties.At this time,the literati paid more attention to the expression of their inner feelings.Therefore,the Kyoto Furepresented by Bangu gradually lost its mainstream status in this period.Although the great work “Sandu Fu” by Zuo Si appeared in the aspect of mimical creation,its tendency from prosperity to decline is inevitable.In terms of poetry,the subject matter of Ban Gu's " Lamenting the History" has been inherited and innovated.Literati often use the ancients and history to express their inner feelings.The fifth part studies the inclusion and evaluation of Ban Gu's works by representative literati.Under the rapid development of literary theory in the Southern Dynasty,Ban Gu was discussed on a large scale.Among them,“The Book of the Later Han Dynasty” catalogues Ban Gu's works and affirms his thought of eulogizing beauty.In Xiao Tong's "Selected Works",the works of Ban Gu's literary and beautiful works were catalogued,and the classic status of Ban Gu's works that promoted the virtues of the people was established."The Heart of Literature Carving Dragon" carries on the omni-directional appraisal to the Ban Gu literature,affirmed the Ban Gu literature's elegant and upright characteristic and the article's practical function,but also to its conduct,the talented appraisal.