The Research On Zhanghong's Painted Landscape Painting

Zhang Hong studied the ancient painting and understood the nature at the same time,combined the freehand in the ancient landscape painting and the authenticity of the natural mountains and rivers,for the late Ming Dynasty opened a new style of landscape painting.Based on the social and human environment in which Zhang Hong lives,this paper makes a deep study on the uniqueness of secularization and naturalism in Zhang Hong's color landscape painting,and analyzes the inheritance and innovation of ancient law in Zhang Hong's color landscape painting.First of all,it is analyzed that the transformation of Zhang Hong's aesthetic orientation of landscape painting is influenced by the transformation of social aesthetic orientation of the late Ming Dynasty and the change of the artist's creation direction,which attaches importance to the creation of the real image and so on.Secondly,combined with Zhang Hong's landscape painting works,the performance of Zhang Hong's color landscape painting is analyzed.The form,at the same time,compares the works of art of the late Ming Dynasty,which leads to the unique expression of Zhang Hong's color landscape painting,and draws a conclusion that Zhang Hong's design of color landscape painting is a real situation and secular situation created under the creative thought and technical innovation.Finally form the artistic conception of poetry and painting with literati sentiment.Finally,this paper discusses the value of Zhang Hong color landscape painting from the view of naturalism color design reflected by Zhang Hong's landscape painting,and sums up the painting thought which needs to be mastered in the contemporary landscape painting creation according to the demand and characteristics of contemporary landscape painting creation.