Research On The Image Of Cyborg In Cinema From The Post-human Perspective

The main purpose of this paper is to study the texts of Hollywood science fiction movies from the perspective of post-humanism philosophy,using different angles to explore with Hollywood sci-fi movies of the game’s image,to reasonable use of cross-border view shows the development of the game’s image in the Hollywood image picture,explore the game’s new dynamic culture research and film language,thinking human theory criticism in the film after learning,the film language to the new tendency of the text study,combined with the game’s own expression,thinking of development and its image behind psychological dilemma faced by human beings,Then it reflects on the current technological revolution and human situation.The first part of this research firstly briefly discusses the research significance of this topic,the literature summary of domestic and foreign research and the innovation of research.The second part mainly sorts out the concept of "cyborg" in terms of scientific and cultural categories and defines its imaging form in science fiction works.The image of "cyborg" in science fiction films is put into the historical context and its body shape is divided into post-human concepts.The third part,through certain historical data sorting and post-humanist theoretical framework,demonstrates from the perspective of "individual" that the image of cyborg disintegrates human subjectivity and reconstructs a new subject.In the fourth part,the post-human body in science fiction films is deeply studied.From the perspective of gender studies,the ideological value of cyborg’s body shape’s subversion of the post-human gender order is interpreted from the perspective of "gender".The fifth part,from the perspective of the structure of cyborg’s living space in Hollywood science fiction films and the creation of post-human living state,demonstrates cyborg’s dystopian reflection on the humanistic spirit of digital technology and man-machine life from the perspective of "society".Finally,the conclusion part attempts to make an overall comment on the cultural connotation of cyborg’s image practice from the perspective of post-human...