Explore The Beauty Of Mifus Mounting Style

Since the development of mounting,it has its fixed format and complete process.Perhaps it is because some skilled craftsmen are quietly studying the craftsmanship in the process of craftsmanship,so that the painter can concentrate on the creation of the painting and deliver the decoration to the worker of mounting."Every artist must have half of the poet and half of the craftsman.He must have the poet's wonderful understanding,and must have the craftsman's wrist." Back to the Song Dynasty,you can see that the painter not only collects,appreciates,creates,but also paint.It is unavoidable to ask questions.In the Song Dynasty,where the mounting skills were getting closer,the literati also thought about it's aesthetic.This article takes the Mi Fu,one of the most famous calligraphy of Song Dynasty,as the point of view.From the practice of mounting in his book History and Painting History,he tries to explain Mi Fu the sense of smell and the touch about the mounting.The aesthetic carried out on the mounting,namely the plain meaning,the natural interest,the neutral beauty,combined with his artistic language in painting,calligraphy,poetry and other aspects,analyzes the cause.Finally,based on the aesthetic thinking of Mi Fu's mounting,he draws on his attitude towards traditional and artistic creation,re-examines the contemporary decoration,and explores a new concept of decoration that better refines the painting.