On The Fraud Of Patriarch Hong's Paintings From The Identification Of Two Albums And A Calligraphy

The world is admired by Patriarch Hong Yi,and his ink is like an arch.However,the works of Hong Kong's Patriarch are true and false,and the situation is extremely chaotic.Discriminating the authenticity under this phenomenon is a crucial issue,and it has important value and significance for the research in the fields of academics,art and Buddhism.This article is intended to be circulated in the same year,the same year,the first year of Hongyi Patriarch,in the spring and summer of 1942,three paintings and paintings with the theme of Lingshan Temple—— "Lingshan Zhenjing" "Lingshan Holy Stories" "The Axis of Poetry",the authenticity of the problem is discussed and analyzed.Combing the historical background related to the "Spirit of the Holy Mountain" and the creative karma of poetry,painting and calligraphy,and through the contrast between pen and ink,chapter and seal,and related literature research,combined with the life experience of Patriarch Hong Yi,the book "Lingshan Zhenjing" "Lingshan Eight Scenery Poetry Axis" is forged based on the "Lingshan Holy Record".This thesis further describes the hypocrisy of Patriarch Hongyi's hand-painted paintings,explores the reasons for this phenomenon,analyzes the change of the attitude of Patriarch Hongyi's treatment of paintings after leaving the house,and the basic status quo of the paintings left in the world,and then clarifies that the paintings of Hongyi Patriarch are rare,except for the Patriarch.The two approved Buddha works have basically ended.I hope that the current authenticity of the works of Patriarch Hong Yi's latest works will be helpful,and the clarification of all kinds of chaos will help.