Study On The Symbols Of Religious Art Design In The Silk Road

Silk Road religious art has always attracted the attention of the academic community with its long history and profound social influence.This paper begins with the perspective of design semiotics,discusses the characteristics of the process of silk road religious art communication and development,and concludes that the design symbols in Silk Road religious art carry a clear meaning-oriented function.Secondly,by grasping the characteristics of design symbols,it analyzes its role in the religious art of Silk Road,and leads to the design of symbolic systems in Silk Road religious art.Finally,it summarizes the stable information dissemination model of design symbols in Silk Road religious art,in order to inspire contemporary design activities.The first chapter discusses the topic selection,significance and related research status of this paper.Through the division of core concepts such as Silk Road,religious art and design symbols,the basic theoretical system related to this paper is sorted out.Through the combing of the existing theories,the characteristics of the religious art of Silk Road—the unity of sectarian independence and cultural mutual infiltration,are proposed,paving the way for the exploration of the symbolic design of Silk Road religious art.The second chapter mainly analyzes the design symbol theory and looks at the development of silk road religious art through design symbols.First,this chapter extracts the concept of design symbols,the constituent elements of design symbols,and design rules.Secondly,on the basis of design symbol theory,further analyze the role of design symbols in the process of the development of silk road religious art,and draw the symbiotic relationship between design symbols and Silk Road religious art and its complexity and uniqueness.The third chapter mainly discusses the performance of the silk road religious art design symbols.By summarizing the characteristics of design symbols in Silk Road religious art,and through comparative analysis to explore the similarities and differences of design symbols in different religious art on Silk Road,the characteristics of design symbols inclusive and diversified in Silk Road religious art are obtained.This chapter not only responds to the conclusions of the independence and cultural infiltration of the religious art sects in the above,but also leads to the discussion of the function of designing symbols in the religious art of Silk Road.The fourth chapter analyzes the function of design symbols in the religious art of Silk Road.By exploring the rhetoric of design symbols and the deformation of the meanings of design symbols the principle of design symbols in Silk Road religious art is further clarified.The fifth chapter divides the elements of the design symbols in the Silk Road religious art,recognizing that the design symbols from the Silk Road religious art have survived the historical sinking and still play a role in contemporary society.The application of design symbols in Silk Road religious art reveals that design symbols constitute an immersive information dissemination system in the process of religious art communication,which leads to the application and value of design symbols and design symbol systems in the contemporary information dissemination process.discuss.The sixth chapter summarizes and forecasts the development of design symbols in the religious art of Silk Road.In the development of silk road religious art,fierce religious competition and exchanges between different civilizations,just like the current multicultural collision caused by the technological revolution and the development of multiculturalism.Through the study of the symbolic design of silk road religious art,in order to realize the importance of the reference to strong symbols,the birth of design symbols and the construction of design symbol system to design practice and information dissemination in the increasingly mature non-material design.