Research On Cross-border Integration Of Bamboo Flute And Stage Performance

National instrumental music drama is a new emerging artistic expression since 21 century.Firstly,it has certain characters and plots as well as settings of content;secondly,it develops by the performance form of national instrumental music.In a sense,national instrumental music drama can be deemed as the combination of �national instrument� and �drama�.Heavenly Tune of Chinese Flute is exactly such a cross-border integrated national instrumental music drama which takes national music instrument,namely flute performance,as the major art form.It relies on drama to narrative.The instrumental music drama not only effectively grafts the national instrumental music with drama,but also integrates with techniques of expression of multi-domain and multi-disciplinary.It tries to seek the artistic performance university,and set its artistic in a field under the common action of multi-domain and multi-disciplinary to try to greatly expand the content tension that it expresses.The birth of the concept of cross-border integration urges the performance form of national instrumental music to develop in diversification.In terms of bamboo flute performance,through it expands the art performance space,it also greatly enhances the artistic tension and appeal of flute playing.As a professional flute player,it gives a higher request for the author.Taking the cross-border integrated national instrument music drama Heavenly Tune of Chinese Flute for example,the author,as a performer herself,explores how to integrate flute playing into drama through variety of aspects,such as understanding the screenplay,analyzing the music,multi-media,sound,stage effects in the new era of national music developing limits.Moreover,the author tries to hunt for the relationship between the traditional expression model of flute playing and the current new stage performance artistic.