Su Shi’s Calligraphy I S Free To Comment

The study of Su Shi’s calligraphy criticism in the Chinese academic circles in the Ming and Qing Dynasties is still a blank.Although the calligraphy critics of the Ming and Qing Dynasties were distracted in the form of Su Shi’s calligraphy criticism,the language form was simple but rich.The content of the criticism involves Su Dongpo’s calligraphy writers’ problems,Su Shi’s calligraphy innovation,Su Dongpo’s calligraphy creation art such as brushwork,lettering,ink and other issues,and Su Shi’s calligraphy style.Influenced by the background of the times and personal conditions,the views of criticism are more complicated.In the Ming and Qing Dynasties,Su Shi’s calligraphy criticism contained rich calligraphy aesthetics,such as old and ancient,elegant and elegant,graceful and graceful,Tiancheng and innocent,and other important aesthetics of calligraphy.The Ming and Qing dynasties commented on Su Shi’s calligraphy.There is a good explanation.The systematic study of Su Shi’s calligraphy criticism in the Ming and Qing Dynasties has positive significance for the research of the field of calligraphy theory criticism and the "Su Xue" field.