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A Comparative Study Of Traditional Bogey Images Between China And Japan

Posted on:2020-04-28Degree:MasterType:Thesis
Country:ChinaCandidate:J J ZhuFull Text:PDF
GTID:2415330572475455Subject:Foreign philosophy
Abstract/Summary:PDF Full Text Request
“the bogey,since human consciousness has been living in the human imagination,various,everything changes,far more than the image of god has the original straightforward,rich dramatic exquisiteness,life,ect.In other words,a bogey more accord with People' s Daily lives,is to give the evil,the joys and sorrows is visualization.The source of the“bogey”image,drawing is just around the natural environment,living habits,so as the primitive natural environment full of fear,which put the fear of the natural empathy in the creation of the devil image,we can realize the creation of the monsters from the traditional image,the ancients respect and fear of nature,hereinafter referred to as "revere‘,this also is the human and the nature,the universe is the best model.On the other hand,the traditional monster as an important part of traditional culture and custom”,to study traditional monster image for discussing between the two countries culture has a profound meaning,and the monster since has been growing in different ways,regardless of its connection change or the change of the external image is behind it is a reflection of the two counties in the field of ideology,culture,folk custom big differences.In this paper,based on the research of the traditional demon images in both China and Japan,firstly,the source of the monster is analyzed between the two countries,secondly comparing traditional monster image difference between the two countries,and then explore the reasons for the difference in philosophical thinking.Finally,summarize the whole paper and criticize the“new bogey”created by science and technology in the 21st century.The first part,introduction.This paper briefly summaries the research background and current situation,summaries' the achievement of Chinese and Japanese monster science in recent years,and analyzes the direction and development trend of monster science.The second part explores the origin of monsters,the author reviewed and analyzed the relationship between maths,monsters and humans beings,and emphatically reviewed the origin and development of human beings.Then the author introduced and analyzed the origin of traditional images of the monsters in China and Japan.The traditional monsters in China and Japan come from natural phenomena,animals,plants,and people.However,there is a difference between China and Japan in“man”.China is based on tribal rebels,while Japan is based on fallen gods.The third part,compares the traditional bogey image between China and Japan.Chinese monsters are mainly based on the classic of mountains and seas,while Japanese monsters are mainly based on the complete works of Japanese monsters.In this part,the traditional images of Chinese monsters are divided according to their image sources.For comparison,the two countries are divided into three types:natural phenomenon type,animal,and plant type,half-human and half-animal type,and human-type.The fourth part,the topic of comparison of traditional bogey images between China and Japan is considered from a philosophical perspective.It mainly include three aspects:thinking on the differences between Chinese and Japanese folk cultures,thinking on the differences of thinking mode between China and Japan,thinking on the relationship between man and nature between China and Japan.The last of the paper,based on the above analysis and research,summarizes the changes and development of the image of traditional Chinese and Japanese bogeys,and pays attention to the hidden dangers caused by the“new bogey”formed with the development and progress of science and technology in the 21st century.
Keywords/Search Tags:China traditional image of bogey, Japan traditional image of bogey, new bogey
PDF Full Text Request
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