A Study On The Living-state Inheritance Of Bulang’s Self-accompanied Singing

In the intangible cultural heritage,the living state inheritance is a kind of inheritance way that needs to rely on people’s daily production and life environment,so that the non legacy will be able to radiate new vitality.Different from the"Museum" type of protection,the living heritage needs to pay attention to the survival environment of non heritage,that is,the field centered around "human"."Bulang’s Self-accompanied Singing" is one of the representatives of yunnan minority art because of its unique music melody and acting style,and is also one of the representatives of intangible cultural heritage.Based on "Bulang’s Self-accompanied Singing" as the research object,this paper selected the typical representative of the cultural issues village,evening village to the fields,deals through long time of the fieldwork,the writer of participant observation and in-depth interviews,understanding the status quo of the existence and development of art and culture.In this article,the author first explains the natural environment and historical and cultural background of "Bulang’s Self-accompanied Singing" culture,and then introduces the artistic form of "Bulang’s Self-accompanied Singing",which describes the changes of its inheritance from four aspects:the art of worship,gender dominance,the scope of missionary work and the field of study.After the narration of ethnography,the author makes a detailed and thorough analysis of the related elements of "Bulang’s Self-accompanied Singing" from four aspects of the subject,the field of inheritance and the function of inheritance,and on this basis,how to do a good reflection and Exploration on how to do a good job of "Bulang’s Self-accompanied Singing".