On Tanizaki Junichiro’s Aesthetic Consciousness Of "Haze"

The beautiful literary artist Mizuhiko Tanizaki did a great job all his life.At the peak of his creation,he moved to Kansai.During this period,not only representative novels such as “Spring Music” and “Snow” were produced,but also essay-like articles such as “Rap Recording” and “Haze and Praise”.Among them,the word "mushroom" in the book "Haze and Praise" is often used to describe the writer’s unique style of work-a mystery of light and darkness.This thesis starts from the interpretation of "Haze",traces the source of the aesthetic consciousness of "Yinsha",combs the concrete expression of this aesthetic consciousness in Tanizaki’s different works,and explores the aesthetic consciousness of "Haze" in the modern and contemporary context.development of.First,the brief introduction of Junichiro’s life is divided into three aspects: his experiences with Chinese culture,the return of Japanese traditional culture,and the bottleneck period of his creation,and his “impression of haze” from both external and internal factors.The background of the creation of the analysis.In addition,from the aspects of daily life,such as clothing,food,housing,etc.,we began to sort out the specific contents of "History and Admiration",and proposed the category of "shade" aesthetic consciousness.Secondly,from the aspects of Japanese religious culture,Japanese national character,"Mystery" aesthetic consciousness,"Haze" aesthetic taste and appreciation of "fragmented beauty",etc.,by explaining the cultural background and religious background produced by the aesthetic consciousness of "Haze",The Source of Aesthetic Consciousness of "Haze".Then,mainly focusing on the narrative structure,character relations and female images of Tanzaki’s novels,this paper supplements and discusses the expression of the aesthetic consciousness of "Haze" in Tanizaki’s novels.Finally,it explains the influence of the aesthetic consciousness of “Haze” on the literary creation of China and Japan,and explains the use of “light and shadow” by the architectural designer Tadao Ando and the interpretation of the “empty” and “absence” concepts by graphic designers."The influence of aesthetic consciousness on contemporary design.At the same time,it briefly explains the relationship between the aesthetic consciousness of "funky" and "euphemism expression" in linguistics.