"85 New Wave" And The Development Of Hunan Contemporary Art Research

This article from the geographical perspective,through the "85 New Wave" specific analysis,"85 New Wave" as the beginning of the development of Hunan Contemporary Art.In the research way,this article introduces the "85 New Wave" objective history into the research of contemporary geographical art history,and explores the relationship between "85 New Wave" and the development of Hunan Contemporary Art,which is the fundamental task of this article.As we all know,the last century,the early 70 s of the late 80 s is the renewal of the Chinese society Vientiane period.At this time the vigorous development of the "85 New Wave" affects the direction of Chinese art,but also deeply touched the development of Chinese Contemporary Art.Undoubtedly,the study of Hunan in recent years,the development of contemporary art,"85 New Wave" has become a topic around the open.At present,many scholars in the study of "85 New Wave" are intentionally or unintentionally exaggerated its value.In fact,"85 New Wave" is just a Chinese art and international art trend of thesecond convergence.Art from the reality,will inevitably be the basis of the reality of the fetters,it should be social and political,economic,scientific,cultural and many other comprehensive era under the epitome of the times,now,the history of the windlass has been moving forward for more than thirty years,We have to use the development of the eyes to see the problem.How much is the connection between contemporary art and contemporary artists' good or bad with "85 New Wave" ? Looking ahead,Hunan "85 New Wave" to us left the material and spiritual and cultural heritage left how much?In short,whether it is respected or criticized,is appreciated or doubt,which requires us to learn from history,under the guidance of reason and reality,for the existing problems,the corresponding analysis and criticism.At present,from the national level to study the "85 New Wave" of the history of writing is very much,the angle is more diversified,but the geographical art history is still the weak theoretical aspects of art theory.On the development of Hunan Contemporary Art history,on the one hand the lack of systematic theory of art support,on the other hand the lack of certain social attention,worthy of our attention.Obviously,after the "85 New Wave" after the Hunan artists group has gradually matured,"85 NewWave" after the Hunan Contemporary Art to a new path.Therefore,from the point of view of theoretical guidance and practice,it is of great practical significance to rethink the relationship between "85 New Wave" and Hunan Contemporary Art,and to establish Hunan Contemporary Art culture system which matches Hunan culture.