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The Study Of Qianjiang(Lightly Colored) Ware's Aesthetic Characteristics At The Late Qing Dynasty And The Early Republic Of China

Posted on:2017-08-01Degree:MasterType:Thesis
Country:ChinaCandidate:S Y WangFull Text:PDF
GTID:2415330512961328Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
At the late Qing Dynasty and the early Republic of China,Qianjiang(lightly colored)ware changed the luxurious decoration style of traditional Famille rose decoration,boldly reform the traditional Famille rose decoration technique,to form a new porcelain painting style which include poetry,calligraphy,paintings,stamp,because of the direct participation of the literati,painters and independent creation,Qianjiang(lightly colored)ware porcelain was given a more high level of aesthetic character and humanistic spirit.Qianjiang(lightly colored)ware painting for more than 70 years,although only a short period of time,but it has led to an era of porcelain painting aesthetic.With the analysis the form and content of China Qianjiang(lightly colored)ware 's aesthetic characteristics at the late Qing Dynasty and early Republic,Form,including the the process and material beauty of Qianjiang(lightly colored)ware,break through the traditional pattern,forming its unique aesthetic characteristics;the formal beauty of painting,mainly reflects the literati painting's aesthetic of implication in composition,brushwork,colors,theme,imitating the ancients also have some distinct personality characteristics.Content refers to the spiritual connotation,Qianjiang(lightly colored)ware is containing the concentrated reflection of the humanistic spirit of Oriental aesthetics,the formation and gave birth to the spirit of its artistic characteristics is the result of traditional Chinese philosophy of Confucianism,Taoism and Buddhism.Through the analysis of the Qianjiang(lightly colored)ware in the painting on porcelain in ceramic significance and enlightenment on contemporary ceramic painting,can make the ceramic painting in the new period in inheriting the quintessence of traditional Chinese painting at the same time,pay attention to combining the aesthetic needs of the new age and spiritual needs further development and innovation,leading the ceramic painting to a new era which more beautiful.
Keywords/Search Tags:At the late Qing Dynasty and the early Republic of China, Qianjiang(lightly colored) ware, Aesthetic characteristics
PDF Full Text Request
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