| Chinese national music has more than thousands of years of development history,but also one of the early origins of human history of music culture.The folk music recital has appeared in the history of Chinese national music for a long time.Since modern times,many famous composers in our country have continuously innovated the genre reform of folk music recital,trying to create it with a variety of combination forms and acoustics.The sound of national musical instruments is rich,and their timbre directly affects the expression of music by the songwriter.Reasonable curvature structure and modulation layout can better provide direction for the work to express the music image,and the proper use of harmony can show the inner motive force of the work and the music color vividly,the use of the polyphonic will strengthen the level of music,and the proper use of the accompaniment texture will better highlight the theme melody of the work.In the whole creative process,it is necessary to constantly improve the work through the actual performanceStarting from the author’s own creative practice,this paper will select three folk music recitals with national style characteristics,combined with the knowledge learned to carry out in-depth research and analysis.Through the analysis of the choice of musical instruments in my works,the design of the structure of the melody,the layout of the tune,the Thinking of melody,harmony,polyphonic and the use of accompaniment weaving,excavating the creative techniques in the folk music recital,combined with the organic combination of the Western musical theory system in my works,For their future in the creation of national style of folk music recital summed up practical experience,to provide theoretical basis and direction.This paper expounds the application of the above aspects,analyzes the writing style and music effect,summarizes the problems encountered in the theory and practice,and thus improves his creative ability. |
