A Study Of Poetry And Art Of Guizhou Female Poets(1978-2018)

Poetry is the art of language.It embodies the poet's aesthetic pursuit and materializes the poet's aesthetic ideas,emotions,and ideals.Guizhou female poets combine their personal experience and aesthetic pursuit to create poetic words,forming a unique female poetry.As an important part of Guizhou poetry,Guizhou female poetry has a certain scale and great influence on its poet writing group and poetry text.However,for a long time,the discussion on Guizhou female poetry has generally focused on the individual poetry creation of a few well-known female poets such as Tangyaping,Luolian,Zhangshunqiong,and Luqin.This has caused the limited research results of Guizhou female poets 'poetry research.It is an oversight that the related comments and the writing of Guizhou female poets can not echo each other in time.In order to make up for this shortcoming,this article tries to probe into the poetry art of female poets in Guizhou from three aspects: combing the group of female poets,summarizing the main image in female poetry,female consciousness and female voice.The paper consists of the following five sections:The introduction mainly expounds the reasons for the topic selection,the current research status and the innovation of the topic selection,and proves the value and necessity of the research.Since the new period,the group of female poets in Guizhou and their creation have had an important influence.It is the main reason and basis for the selection of this article to systematically collate the important texts of female poets and poems in line with the development trend of poetry in Guizhou.At present,the research results on the poetry of female poets in Guizhou during the 1980 s,1990s and the new century are grouped according to the time process,and the shortcomings of the existing research are analyzed.These shortcomings are mainly reflected in the research results,narrow scope,and insufficient in-depth three aspects.The innovation of the article is to systematically comb out the development of Guizhou female poets 'poetry and supplement the study of Guizhou female poets' poetry.The first chapter,on the basis of a large amount of original data already collected,combed out the development of the group of female poets in Guizhou during the 40 years of reform and opening up.The first chapter summarizes the more representative female poets and their creations and achievements in the new period.The second section examines the geographical distribution of female poets in Guizhou,the reasons for this distribution,and how this difference in geographical distribution is presented in the creation of poets.In a word,the first chapter is a systematic and in-depth combing of the group of female poets in Guizhou from two aspects: time and space,trying to restore the situation of female creation at that time.The second chapter mainly cuts into Guizhou's female poetry creation from the perspective of the main image.By studying specific poetry texts,it extracts some of the main images that are most favored by poets: the feminine images such as flowers and moons,and the localized images such as plateaus and mountains.The third is the waterfall image that combines the characteristics of femininity and regionalism closely.These major subject images essentially present the highly unified cultural identity of poets--gender cultural identity and regional cultural identity.Whether it is a gender experience,a regional experience,or a combination of the two,these are the true lives of female poets.When these kinds of true poets are extremely condensed in the form of beauty,They quickly became the most noticeable part of Guizhou's female poetry.The third chapter analyzes the deep connotation conveyed by poets through poetry,taking female consciousness and female voice as the breakthrough points.The first section of this chapter first discusses the more prominent gender consciousness and night consciousness in Guizhou female poetry.Then,a simple summary of the female reproductive consciousness outside of the two is made.In the second section,the female voice in poetry is interpreted in detail from the perspective of monolingual language and dialogue.The conclusion is a general summary of the full text.This part covers the general situation and development of the poetry of female poets in Guizhou since the new period,the key points to be expressed in each chapter,and the prospects for the future of female poetry and Guizhou literature in Guizhou.