The Study On Yang Jiong’s Parallel Prose Acceptance History And Its Classical Works

As one of the four outstanding artists in the early Tang Dynasty,Yang jiong’s works were widely praised in the early Tang Dynasty and became as famous as Lu Zhaoling and Luo Binwang.In the early Tang Dynasty,the four great writers showed themselves by parallel prose,which was gradually affirmed by the academic circle.Yang jiong created a prologue,stele,praise and other rich parallel prose,but most people’s understanding of Yang jiong’s famous work Cong Jun Xing,pay little attention to its parallel prose.This paper takes Yang jiong’s parallel prose as the research object,studies its acceptance history and classical works,and tries to fully explore its influence on later generations,which is divided into three chapters.The first chapter mainly starts with the study of Yang jiong’s parallel prose acceptance history,starting from the collection of literature materials from the Tang Dynasty to modern times,and obtains as many and as wide as possible literature materials,so as to provide preparation for the writing of Yang jiong’s parallel prose acceptance history.Firstly,the author studies the origin and development of Yang jiong’s poetry anthology,and discusses the changes of Yang jiong’s parallel prose volume number in different dynasties.Then it makes a brief introduction to the literary world of Tang and Song dynasties,and establishes that this period is the formation period of Yang jiong’s famous status of parallel prose.From Tang Dynasty to the modern literature,this paper studies various periods larine collection sorting,collating and publishing situation,in addition,the collection,books,books of the Tang and Song Dynasties,topography,extracts of the literary textual research of larine works such as reference,the collection of all kinds of the Yuan,Ming and Qing period,anthology extracts of larine Pianwen,various dynasties on larine its acceptance and accept the direction.Thirdly,the thesis studies the acceptance of Yang jiong’s parallel prose in modern times,mainly from three aspects: the anthology,the annotation and the literature history textbook.Generally speaking,the acceptance of Yang jiong in different dynasties was neither hot pursuit,but also not completely forgotten,in a state of slow acceptance.The second chapter focuses on the critical literature,analyzes the critics’ comments on Yang jiong’s parallel prose,reveals its characteristics and examines its status in the early Tang Dynasty.This paper starts from the evaluation of the status,style and literary thought of Yang jiong’s works by the famous writers in the past dynasties.Firstly,the thesis discusses the status of Yang jiong’s parallel prose,mainly from the debate on the ranking of “four masters”and the comments on the status of Yang jiong’s parallel prose in modern times.The “four masters”refer to the parallel prose of Yang jiong and other writers.The debate on the ranking of the four masters reflects the status of Yang jiong’s parallel prose in the literary world.Then starting from the style of Yang jiong’s parallel prose,it focuses on its influence on the overall development of later literature.Yang jiong,as a scholar in the early tang dynasty,was naturally influenced by the afterwinds of the six dynasties,especially Yu xin.Study the evaluation of past dynasties to larine Pianwen thought again,larine Long Shuo “Si jie”at the time of the innovation such as the wind is not the start of the reader consciousness and accept,and even some sarcasm as thin,and reveal some good readers,especially those with important position of the reader’s interpretation,such as the evaluation of Du fu.longhai,triggered the contemporary readers’ reading accept or posterity,and slowly learning process.Classic works in the third chapter mainly discusses larine prose,larine in “Si jie” is one of the least known of the creation of prosecompared with other three,such as the Tang Dynasty the autumn ascends HongFu Teng Wang pavilion preface to give a farewell dinner,five grief to the of vibrated and their own features of the generation of Li Jingye for Wu Shixi,achievement is not so high.However,the author believes that since Yang jiong can be listed as one of the “four masters”,its parallel prose has its own classical merits.Therefore,several classic pieces of Yang jiong’s parallel prose,such as Wang Bo Ji Xu,Yue Lan Pan Fu and Hun Tian Fu,are selected to analyze the process and reasons for its becoming a classic,and to explore the reasons why some works are not widely circulated and have not become a classic.