Study On The Bamboo Flute Works In Errentai Style

Bamboo flute is one of the most representative national playing musical instruments in our country.It is also the oldest playing musical instrument discovered so far in China.Its history can be traced back to the ancient bone flute and ancient bone whistle 8000 years ago.Bamboo flute is a local musical instrument originated and developed in China.It has been recorded in all dynasties.Through continuous inheritance and development,we have rich bamboo flute culture of today.From the early to the middle of last century,especially after the founding of the People's Republic of China,bamboo flute has made great progress.Bamboo flute has gradually changed from accompanying role to various forms of performance.Bamboo flute works are also springing like bamboo shoots after a spring rain,showing prosperity step by step.Er'er Tai is one of the most important forms of national music in China.Bamboo flute works of Er'er Tai style are a significant branch of bamboo flute works.Generally speaking,bamboo flute works of Er'er Tai style belong to the northern bamboo flute category,but in a narrow sense,Er'er Tai style's bamboo flute works and other northern style bamboo flute works,such as Xinjiang style's bamboo flute works,Shanbei style's bamboo flute works and Inner Mongolia style's Bamboo flute works are quite different.Because of its unique geographical location and inclusive music ideas,Er'er Tai music has its own system,so Er'er Tai style's bamboo flute works also have its unique characteristics.The object of this paper is the bamboo flute solo works of Errentai style.The first chapter is an overview of Errentai music.It discusses the history and music of Errentai from two aspects.It briefly summarizes the basic situation of Errentai music and the music form of Errentai.Chapter two is a summary of the creation of bamboo flute works in Errentai style since the 20 th century,which isdiscussed from three aspects: creative background,creative groups and artistic value.The third chapter is the main part of the paper.Starting from the music ontology,this paper studies the common techniques and characteristics of Er'er Tai style bamboo flute works from two aspects: theme construction and melody characteristics of Er'er Tai style bamboo flute works.Chapter four is about the musical structure of the bamboo flute works of Er'er Tai style.It analyses the common musical structure of the bamboo flute works of Er'er Tai style.The fifth chapter is the extension of the previous chapters.Based on the research conclusion,it discusses the significance of the bamboo flute works of Er'er Tai style to the cultural inheritance and development,as well as the promotion significance to the creation of national music style works.Through the discussion of this chapter,we can make the creation of national music style have rules to follow in the future.The concluding part summarizes the full text,and lists the problems encountered in the process of writing the paper,hoping to attract attention and be solved.Since the 20 th century,while using modern composing techniques,bamboo flute performers and composers have not forgotten to combine traditional music characteristics and traditional composing techniques,and have created many excellent bamboo flute solo works with different styles.Although the number of bamboo flute works in the style of Er'er Tai is limited,they are enough as research objects to provide reference and basis for the future theoretical research and creative practice.Many bamboo flute performers and composers consciously absorb and use the traditional music of Er'er Tai to merge into their individual music creation.This is also an important reason why the musical elements of Er'er Tai have lasted for a long time and combine to be inherited and developed in their creation.