Study On The Performance Art Of Guzheng’s "Fantasia"

After the founding of new China,guzheng’s music creation and technical innovation ushered in a new spring.Especially since the reform and opening,and the music creation in widely absorbing western music melody structure,harmony techniques,the conversion of texture writing and tonal,shifting and composite photograph echo,guzheng itself playing skill areas also emerged such as hands play guzheng,rapid sequence technique,panting instrument board,a three refers to shake,and so on a series of innovative play tremolo method.Therefore,it can be said that the innovative development trend of contemporary guzheng’s performance techniques can basically meet the high-end requirements for the performance of guzheng’s repertoire after absorbing western classical and modern music thinking and techniques.In other words,there is a complementary and balanced relationship between the creation and performance of guzheng.And wang jianmin’s famous work "fantasia",it is very clear that guzheng creation and performance between this balance and complementary vivid relations.Therefore,this paper intends to make an in-depth interpretation and interpretation of the creative thinking and playing essentials of fantasia,and sort out the innovation and exploration of the creation and performance techniques of fantasia in music.And then take fantasia as an example to verify the dynamic relationship between the balance and complementary of the two aspects of contemporary guzheng music creation and performance.This paper is divided into six parts: The first part is an analysis of the background,research significance,research methods and innovations of Wang Jianmin’s Guzheng song Fantasia,and an analysis and summary of the relevant research literature on this topic in academic circles.The second part is an analysis of the composition of the Guzheng song Fantasia,a brief introduction to the composer Wang Jianmin,and an analysis of the creative background and characteristics of the work.The third part is an analysis of the musical structure and characteristics of Guzheng song Fantasia.In this part,firstly it is a detailed analysis of the musical structure of Fantasy from five aspects: introduction,presentation,unfolding,reproduction and ending.Secondly,in terms of the musical characteristics of Fantasia,this paper analyses the characteristics of the mode scale,the texture of the voice and the musical melody of Fantasia.The fourth part is the analysis of the performance skills of Guzheng song Fantasia.Through analysising the arpeggio performance processing skills in the introduction,finger swing playing skills in Adagio,small pinching,beating the board,transfer of tune playing processing in lively Allegro,performance intensity processing in exciting Largo.The fifth part is the reflection on the performance of Guzheng song Fantasia.Through the simulation of Miao’s drum music techniques,the breakthrough of Pipa playing techniques and the innovation of modern percussion playing techniques,this part makes a reflection and summary.The sixth part is the conclusion,which summarizes the whole paper.Is visible from the information presented above,this paper takes "fantasia" as the research object,the key link of music creation thought,played by works of essentials for mesh,framing,confusing,a detailed analysis is demonstrated in the practice of the "fantasia performing interpret music and creative intention play to grasp the main point of the fundamental guiding significance;At the same time,from the point of view of folk culture,this paper also elucidated and discussed the creation of the music to expand the performance function of guzheng,and also revealed the practical significance of improving the cultural accomplishment for guzheng players.In short,based on the interpretation of the music creation intention,starting from the emotional connotation,and taking the emotional service skills and chemical skills as skillfully,this is the fundamental point of the performance art of the guzheng work "fantasia" concluded in this paper.