A Logic Study On The Display Of Intangible Cultural Heritage In Folkcustoms

In the global environment where the protection of intangible cultural heritage is receiving increasing attention,the display of intangible cultural heritage has been greatly improved in various display designs,as a branch of intangible cultural heritage.More and more,it is also appearing in the audience's vision.In recent years,many museums in various parts of China have incorporated “folk” “non-legacy” exhibition projects or established special folk museums,trying to reproduce the folklore “non-legacy” in the public's field of vision through exhibitions.Its purpose of protection and inheritance.However,most of the folklore “non-legacy” displays are not designed according to their own characteristics.Instead,they use traditional museums to display the display of handicrafts.This will cause the audience to feel dull,single and boring during the exhibition.The image of the class "non-legacy" is greatly reduced.Therefore,it is imperative to study the folklore culture to show its own specific display logic.In response to the above problems,this paper will first systematically and comprehensively study the display logic,and then further analyze and apply the display logic in combination with the specific design practice-Guan Gong Culture Exhibition Hall.Finally,the paper analyzes the specific logic of the intangible cultural heritage of folklore,combines the logic of display and the logic of folklore itself to introduce the concept of folklore intangible cultural heritage display logic,and proposes a three-point construction method based on Guan Gong Culture Exhibition Hall..The author hopes to bring some good design methods and theoretical foundations for the design of folklore non-legacy museums through the study of the folklore non-legacy display design logic.