Research On The Theory Of Poetic Style And Its Space In The Tang And Five Dynasties

As a kind of theoretical criticism style or writing to guide the creation of modern style poetry in the Tang Dynasty,the poetic style has relatively perfect theoretical system and rich aesthetic implication,it is a highly sublimation and theoretical summary of the aesthetic ideas of the Tang poetics and even the ancient Chinese poetics,and it is also the most important one of the study materials of the Tang poetics.As the main body of the poetic theory in the Tang Dynasty,the poetic style is of Great Poetic Significance for contemporary researchers to explore the theoretical construction of the Tang Dynasty poetry,it also constitutes the most national literary criticism style in the history of ancient Chinese literary criticism,and is a rich source of poetic theory and aesthetics for later generations.The space problem in Chinese ancient poetics has gradually been discovered from the early 20 th Century until the 1980 s and 1990 s,and has gradually become a focus topic.Space is also regarded as an important dimension in the study of ancient Chinese poetics,and the beauty of space has naturally become the ultimate aesthetic pursuit in the construction of ancient Chinese poetic art or poetic theory.This paper makes a comprehensive study of the core theories or categories of the poems of the Tang and five dynasties,such as bixing,object image,antithesis and artistic conception,it is found that they are closely related to the way of thinking,the elements of composition,the means of construction and the aesthetic pursuit in the creation of Tang poetry.On the level of poetic creation,bixing,as a crucial technique of expression and creation of poetic art,is born with a spatial thinking of intuition and Metaphor,which combines with the theory of images to generate images,concretely,it is a kind of image space which can be embodied and sensed,and which is the basis of the creation of the artistic conception space;On the level of poetic language structure,duality can present the complementary and opposite objects in the universe simultaneously,thus creating a spatial structure of wandering and gyration as well as a sense of poetic and aesthetic space in the flow of poetic language,thus finally realized the Chinese ancient poetry art highest state,namely the artistic conception estheticimagination space generation.They are interrelated and interact with each other,forming a relatively complete structural system,and "space" is a red thread connecting them together,whose common purpose is to break through the limitation of modern poetry to the maximum extent,strengthening the tension between words and images in poetry to enrich the expression of harmonious meaning and the development of aesthetic space of artistic conception.