A Study On The Text Of Music Criticism Of Music Weekly From 2010 To 2017

Music weekly is the first music reading in the form of a newspaper since the founding of the People's Republic of China.It has the longest survival period among music newspapers founded in 1979.It is also one of the most professional and artistic music newspapers with wide information coverage.Its "music comment" column is novel,involves a wide range of views,distinctive,free,organized.Music weekly ended its grant for political participation in January 2009.After the revision,music weekly began to face the market and made some new changes in layout and content.Therefore,this paper takes the "contention" music criticism theory of music weekly from 2010 to 2017 as the research object,trying to sort out the hot issues of social music life in the new century and make an indepth analysis to explore the connection and echo between the current development of music weekly and the criticism of music.The first chapter of this paper mainly sorts out more than 700 pieces of music criticism in the "zhengming edition" and "viewpoint edition" of music weekly from 2010 to 2017,and masters the latest information of music criticism.The second chapter makes a morphological analysis of critical literary theory,mainly from the aspects of title characteristics,writing characteristics,rhetorical devices,text echo.The third movement analyzes the problems of music's criticism of literary theory and holds that literary theory as a whole is characterized by small but not refined,small but not deep,and small but not incisive.The last chapter reflects on and discusses the future development and direction of music weekly,and finds out the creativity,characteristics and advantages of music weekly in the process of running newspapers in the "contention" layout in recent years,and puts forward some Suggestions for its future development.