"Energy" And The Spirit Of Chinese Modern Art Aesthetics

At the end of the 19 th century and the beginning of the 20 th century,Wang Guowei,Liang Qichao and Lu Xun were the key figures in the transformation of the traditional Chinese art “power” category into the modern aesthetic category.Their ideological doctrine strongly promoted the modern transformation of Chinese art aesthetic spirit and has a strong Representative.This thesis takes Wang Guowei,Liang Qichao and Lu Xun's thoughts on the aesthetic power of art as an important example,discusses the important features and evolution characteristics of "energy" in the aesthetics of modern Chinese art,and explores the meaning of modern transformation of the spirit of Chinese art aesthetics.The introduction combs the main research status of the "energy " category of Wang Guowei,Liang Qichao and Lu Xun's artistic aesthetics,and puts forward the main problems and difficulties,the purpose and significance of the research,and the research methods.The first chapter analyzes Wang Guowei's core understanding of the category of " energy",focusing on the understanding of Wang Guowei's confession and liberation of "enengy".The second chapter discusses Liang Qichao's main viewpoints on the "force" category,and focuses on the analysis of Liang Qichao's views on the relationship between "power" and emotion,and art "transference".The third chapter explores Lu Xun's basic views on the category of "power",focusing on the views of Lu Xun on the relationship between "Moro poetry force" and "Strong enery","Real Power" and "Grand and splendour".The fourth chapter discusses the relationship between "power" and the modern transformation of Chinese art aesthetics spirit,and emphasizes the significance of "power" to the lofty spirit of Chinese modern art aesthetics and the awakening of artistic subject.