Baritone Vocal Techniques From Aria Largo Al Factotum

Arias "Largo al factotum della citta" from Rossini opera "i L Barbiere di Siviglia".Long,difficult,a lot of color,with a strong interest and entertainment,is the touchstone of the baritone,the author of this work through many years of singing,summed up a simple blood experience.This article mainly discusses two parts:Part of the detailed analysis of the work.During the analysis,we learned a lot from the performance of audiovisual materials of singers.Analysis and comparison of their respective characteristics,and the works of musical analysis,emoticons analysis,language spelling analysis,summed up a number of easy to err content,and put forward solutions to enable readers to read the paper after reading the whole work can have a more detailed understanding of the works to help readers.The second part is the author's years of learning vocal music,according to the teacher's teaching content,combined with his own understanding is summarized.This paper mainly summarizes several basic concepts,"breathing in singing state","breath fulcrum","sound position","sound band","cavity resonance","confrontation" and "two ends singing",and some basic rules of the bite.The road of vocal music is long and tortuous,and theoretical knowledge can help to improve the level of vocal music more quickly,but as a subject that pays attention to practice,vocal performance art is the most important subject,the most important thing is to try constantly,to train constantly,to listen more and more,to make progress,no matter how solid theoretical basis,and no long practice is impossible to become a real singer.Because the writer is only a master degree student,the time of vocal music learning is limited and the vocal music theory is numerous,the author is far from being proficient and the theoretical level can not be compared with the real researchers.So this paper is only a summary of the experience of 10 years of personal study.