The Research On Theater Space Form Of Ibsen’s Drama Stage

Ibsen is regarded as the "Father of Modern Drama",and his drama is unique.In addition to the textual discourse space,Ibsen’s innovation in stage space is his uniqueness.This article attempts to comb the Ibsen’s stage space form in drama innovation and combine it with the text discourse space to comprehensively analyze the innovation of Ibsen’s drama.The introduction part gives a brief description of the research situation of Ibsen’s plays at home and abroad,and expounds the significance of the study of Ibsen’s dramatic stage space form;Chapter 1 introduces the two main forms of European traditional drama,the theater art and the square art.Contrast the stage space;combing the creative process of Ibsen’s early Romantic drama;using “Kattilin”,“Brand” and “Peier King” as the key analysis objects of the romantic square art drama;Chapter 2 Explain the characteristics of the stage space of Ibsen’s medium-term social dramas.Focusing on “Pillar of Society”,“A Doll’s House” and “Ghosts” as the focuses of the analysis of realistic theater art dramas;Chapter III discusses Ibsen’s symbolism in its later stages.The characteristics of theatrical space are mainly analyzed by "The Wild Duck","The Lady of the Sea" and "When We The Dead Wake Up" as symbolic square art drama;the fourth chapter will comb through the longitudinal combing of the first three chapters.The comparison and interpretation of the characteristics of the stage space in the overall drama creation,summing up the "higher place" and "double space" are unique to Ibsen.Taiwan space,analyzing the influence of space-time factors and two drama traditions on Ibsen’s creation,the impact of the emergence of new-style figures on Ibsen’s setting of stage space,and the richness of human nature on Ibsen’s stage space.The final conclusion part concludes that the unique stage space is the characteristic of Ibsen’s dramatic innovation.