Investigation And Study Of Sichuan Sanhui Quxian Country Cai Ting Will

The Sanhui Color Pavilion Pageant prevailing in Sanhui Town,Quxian,Sichuan province is also commonly known asits high,dangerous,odd characteristics,the locals have been called “Sanhui Pavilion”,commonly known as “Zha Pavilion”,is a local folk activities to pavilion Costumes and performance narrative as the main content,during the Lunar New Year from March 16 to 18,by hand lift the pavilion in San Hui town streets or docks to perform traditional folk cultural activities.Pageant means gathering in which people lift the Immortals,walk on stilts or perform Cheyaomei for three days,which is even noisier than the Spring Festival.The combination of literature,painting,sculpture and mechanics is the perfect combination of ironwork,carpentry,embroidery,sewing and building,which highlights the unique features of this art form.It is also a treasure of folk art in eastern Sichuan and the whole country.Since the late Ming and early Qing dynasties,San Cai Cai Ting has been inherited for over 400 years and has evolved from the ancient high-pole art.Its development can be traced back to the "dwarf Fulu" in the Spring and Autumn Period.During the period from the founding of New China until the Cultural Revolution,the number of artistes who took part in the "Four Swords and Four Sides," plus the loss of traditional crafts and performing artists,became increasingly scarcer until 2008 after being listed as the second Only after the list of state-level intangible cultural relics have been revitalized once again,the soil for the folk activities started to undergo a great change and the research on its sustainable development has become increasingly urgent.This paper systematically investigates the production process,inheritance mode and actual development of CaiTing through the methods of field investigation and literature review,using the related theories of oral history research,folklore,art and sociology and other related disciplines Research methods,analyze and explore its artistic characteristics and social values,with a view to put forward their own unique perspectives through researchto make up for the lack of research on the folk activities.This thesis consists of eight parts among which Part three to Part eight are the most important ones.Part one is the reason for the selection of topics,research status at home and abroad and research routes.Part two is the research on its development and origin of the Sanhui Color Pavilion with relevant historical documents.Part three is the introduction of the manufacturing process through the performing process of the Sanhui Color Pavilion Pageant.Part four is the detailed analysis on the opera culture,literature and art,and technological culture.Part five is the introduction of the change of the inheriting system of the Sanhui Color Pavilion Pageant by interviewing two inheritors of the intangible cultural heritage.Part six is the suggestion on its future inheriting and developmental pattern of other similar artistic forms by analyzing its local cultural function of the Sanhui Color Pavilion.Part seven is about the problems and solutions on its inheritance.Part eight,as the last one,is the author's own viewpoints.