| In the last years of the Qing Dynasty,the national situation changed,the contradictions at home and abroad were severe,and people’s aesthetics also changed.The "tombstone study" in the Qing Dynasty was developed under the influence of such complex social politics,economy,culture and other factors,and promoted the change of the calligraphy aesthetic at this time.The development of “Teaching” has its own limitations.In the Qing Dynasty,“Bei Study” replaced its prevailing “Teaching” trend with its own advantages.In order to comply with the “Book of Stone” literary style at this time of the Qing Dynasty and to cater to the aesthetic tastes of the public,the art world has gradually given more and more attention to “Bei tablet studies” and integrated them into poetry,books,paintings and printing.Art field.The aesthetic direction of calligraphy is also changed by the style of "Tibet Study",indifferentness to "Bei Tu School" and the ancient style of calligraphy.Shi Guwen’s artistic form played a transitional role in the development of Jin Wen’s xiao jiu.His jinshi charm became a "historic tablet" with distinct artistic expression.Many painting and calligraphy theories and artistic creations in history have verified that calligraphy is an important part of the art of painting,that is,painting and calligraphy are the same.Wu Changshuo,a pioneering master of art in modern Chinese painting circles,as a representative figure of the “Sea School”,successfully integrated Shi Guwen’s aesthetic interests with Chinese traditional flower and bird paintings.Shek Woo Wen was used as a model for his life’s study and “into painting”.The field has undergone bold innovation and practice.He stood at the intersection of history and brought together the traditional charm and the era spirit of the times,and formed his own original painting style.This kind of reference and re-creation have not only greatly expanded the expressions of Chinese traditional painting language,but also extended it to the spiritual level.Wu Changshuo’s successful practice of “using books to paint” has contributed to the development of traditional Chinese painting,and it still has very important research significance today. |
