Study On The Development Of Chongqing Lacquerware Culture Creative Product

Judging from the archaeological materials,Chinese lacquerware has a history of more than 7,000 years since it was unearthed from Hemudu culture.It has created a splendid history and has widely affected the development of various art disciplines.The Batu area is one of the most important producing areas of lacquerware in Chinese history.Since the Shang and Zhou dynasty,the lacquer ware process in the Bayu region has gradually taken shape.After the development of the Spring and Autumn and the Warring States,it has become increasingly mature.It reached prosperity during the Qin and Han dynasties and gradually declined after the Wei and Jin dynasties.As a Cuban country,Chongqing has had brilliant achievements in its lacquer ware.With the rapid development of modern society,economy and culture,people ' s living habits have changed,and the traditional lacquer crafts in Chongqing has been unavoidably affected.The inheritance of Chongqing's lacquer wares has been placed in front of researchers.This article reviews the historical origins,development,and stagnation of lacquerware in Chongqing,and investigates production companies and artisans on the basis of historical records and historical records.During the interview,based on an analysis of the difficulties faced by the inheritance and development of Chongqing lacquer ware,the lacquerware cognition in Chongqing was simplified;the production process was separated and the traditional craftsmen were lacking;the products had low practicability in daily life,and their decorative methods were obsolete;Four shortages of funds.Taking the visual field of art design as the starting point,we will re-examine the ancestral and applied art forms of Chongqing's lacquerware,aiming at exploring theunique language of its modeling and decorative design,and the future development trend.Based on Japan's traditional craftsmanship policy system and promotion model,Japan's Echizen lacquer ware and Yamanaka lacquer ware are selected as research projects for design.The design methods of lacquer ware design,color recognition,and material combination are analyzed.After analyzing the successful experience of Taiwan's lacquerware transformation,Taiwanese lacquerware first supported the policy,then established the Lacquerware Museum,and finally developed a fusion of new materials to return Taiwanese lacquerware to people's perspective.Excavating the development value of Chongqing lacquerware in terms of materials,function,modeling and decoration,summarizing the development and design elements of Chongqing lacquerware appearance,product material,color pattern and product function,and finally guiding the final development and design practice of Chongqing lacquerware..Using Japan and Taiwan's cultural and creative methods to “activate” the ancient Chongqing lacquerware,Chongqing's lacquerware has returned to life,which has radiated contemporary vitality.