A Study On The Mural Paintings Of The Longcang Temple In Xinfan,Sichuan

According to historical materials search and field surveys,there are more than ten monasteries with mural paintings in Sichuan.These murals were mainly painted in the Ming Dynasty,and their historical culture and art level were not lower than the murals in other parts of the country.one of them.The Xinfan Longzhai Temple mural is a rare fine mural painting in the Ming dynasty in Sichuan Province.The contents depicted include the fifty-three ginseng of the Shancai Boy,the eight dragons of the Dragon,the twenty-four days of the world of Huayan,the Huayan Sutra,and the Story of the Buddha..The Xinfan Longzang Temple mural provides important physical image information for us to understand ancient paintings in Sichuan.This article makes an in-depth study of the history,the subject matter content,the artistic characteristics and the value significance of Longzhai Temple.First,the historical survey adopts the field investigation method and literature research method to conduct an on-the-spot investigation and literature review of the historical situation,architectural layout,and mural condition of Xinfanlongzang Temple,and to understand the geographical location,historical evolution,and architecture of Longzhai Temple.Interior layout and fresco distribution basics.Secondly,in terms of subject matter and content,the image research method was used to image recognition of the contents of the new and complex Longzang Temple frescoes.The themes of the Longzhai Temple fresco were all derived from the Buddhist classic “Hua Yan Jing Jing”,which tells the story of Shan Cai Tong Zi fifty three.The participation of the Senate and the practice to the 24 th Heaven,the protection and practice of the eight dragons of the Dragons led to a prosperous road-the Pure Land of the West,and became the ideal realm pursued by believers.Among them,the fifty-three ginseng of Shancai Tongzi is the focus of the Longzhai Temple frescoes.Shancai Tongzi is a lively model with lively gestures,vividly demonstrating the rich and colorful folk life in Sichuan in the Ming Dynasty.Third,in-depth research was conducted on the art features of the bottom layer production of the Longzhai Temple frescoes,the powder features,composition features,line features,and color features.At the same time,it also incorporates the characteristics of the times.Its unique composition,meticulous use of lines and splendid colors have important research value.Fourth,in the value sense,the author explores the value and significance of the Longzhai Temple frescoes from four perspectives: religious and cultural values,aesthetic values,artistic values,and the development and evolution of contemporary Chinese paintings from the Longzhai Temple frescoes.The Longzhai Temple mural provides a new case for the study of the mural art of the Ming Dynasty with its unique themes and contents,unique and consistent powder,detailed lines,splendid colors,and lively shapes.The development of the Ming Dynasty murals with the theme of Hua Yan Jing in Sichuan during this period was demonstrated by its unique style.The painting of the Neo-prosperous and Long-Tibet Temple not only has an important value in religion,but also has a certain role in the promotion of the art.The screen layout and painting techniques of the mural provide important historical facts for the study of the evolution of the mural in the Ming Dynasty in Sichuan.The Longzhai Temple frescoes are now getting rid of the grave.Studies and explorations of the Longzhai Temple fresco are in depth.It has a certain far-reaching significance for the excavation,combing,and in-depth study of the murals and Buddhist culture in the Ming Dynasty in Sichuan.At the same time,it hopes to attract the attention of relevant departments and strengthen the The protection of the Ruse Temple frescoes.