| An important function of Lu Xun’s essays is the anatomy of the expression of history and reality.The object of its anatomy,besides the language character symbol,there is also an important symbol,is the "objects" with expression function.The characteristic of the objects is unspeakable,silent,non-verbal symbols in Lu Xun’s essays.And they can be divided into two parts,that is,body parts and clothes,ancient relics and new products.The body part is the medium that most directly touches the external environment,and clothing is a kind of appendage of the body,which has a very close relationship with the human body.Ancient relics are relics from the past,and new products are coming from abroad.They are abundant in the daily life.Lu Xun saw the deep-seated expressions in these objects,that is,the carrier of power regulation and the tools of cultural heritage.The most significant exercise in authority is the deterrence of the person.Through the enactment of the direct punishment of the body,many systems are also enacted to exercise the power of discipline.In Lu Xun’s essays,it can be seen that all kinds of political forces fight for power in the body,and the body is used as a political field.After a long period of development,a specific concept or custom is formed on these "objects",this attitude also applies to the foreign objects.Through the anatomy of the positions and functions of these "objects",Lu Xun explores the deep meaning carried by the "objects",and anatomizes power to rule over these “objects” in order to achieve anatomy of power.In the essay,Lu Xun dissected the expressions of "objects" which closely related to people,and then looked back at the subjects through these "objects".So the "object" becomes a cultural intermediary.These people in the center of power consciously or unconsciously maintain the ruling order of the people in power.It is that Lu Xun’s anatomy of the historical formation and operation in these non-linguistic symbol systems reappears is the key research of the paper. |
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