The Study About The Poems Of Ci On The Traditional Chinese Painting In The Mid-Ming Dynasty

The poems of Ci on Chinese painting has always been regarded as a branch of a small study of inscriptions in the literature,but the study of Ci in the Ming and Qing Dynasties,the poem of Ci has its very special research value,which has an important relation between the aesthetic atmosphere of generation and propagation in the words and the Ci,painting.In the word study,study for the painting words of ci began more than 10 years ago,nearly three years of the Qing Dynasty in the words of the Ming Dynasty and gradually discovered,in the words should be added to it.In this paper,the Ming Dynasty in Chenghua to Jiajing peoch " was selected to as the object of study.Firstly,we find the period in the Ci in the history of the Song Dynasty to the poem of ci on the Chinese painting,spurt phenomenon,namely the mid Ming Dynasty in the words the total amount of all the previous generation in the words.Secondly,works in the Ci of the Mid-Ming Dynasty has a specific social and cultural background,the author and his works in the words in this period more than half from " the poem of Ci in Wu Areas ",and the study of Ming Ci " the poem of Ci in Wu Areas " mainstream cognition has a strong relevance,understanding of Ming Ci,especially there is a positive significance to the mid Ming Ci ecology.Thirdly,the mid Ming Dynasty paintings on the theme,with words,creative ways reflected in the mid Ming Dynasty Ci and the popular " simulation " and " Tang Shi Yu Ci has a very close relationship,through the study of the Mid-Ming Dynasty in the poems of Ci,we will be clearly see " Tang Shi Yu " " Hua Jian " another poetry aesthetic in Ci Poetry in painting style influence.Although a kind of theme in the words just Ci creation,but because of the mid Ming Dynasty is a flourishing period China painting history,which can not be ignored the development of calligraphy and painting,tasting,trading and dissemination of a variety of art forms of the book,so from the perspective of painting.Look at earlier was generally considered a "dead" words in Ming Ming Ci "in decline" curing the Ming Ci research idea,is a thing not meaningful.The premise of this basic elements in the creation of painting of the word of the mid Ming Dynasty,that of the mid Ming Dynasty Ci is a process of evolution.In this process,poetic words,music phenomenon is very obvious,and the extensive use of long word,and the wordwriting scope even extended to the popular novels,the legendary drama,classicalChinese novels and many other popular literary genre of writing,narrative and words are gradually increased in.The word to the middle of the Ming Dynasty,the aesthetic standard of choice,it is a large-scale unconsciously return to the Tang and the Five Dynasties of the Northern Song Dynasty to the Southern Song Dynasty and Yuan Dynasty Ci,a prevailing wind saoya word with Jiang Kui and Zhang Yan as the representative of the backwash.In conclusion,through the study poem of Ci on the paintings in mid Ming Dynasty,.On the one hand,it make up for the lack of the Ming Dynasty in the study poem of Ci on the painting;hand is the "Ming Ci" concept supplement.No matter is the study or research in the words of the Ming Ci,has complement previous studies lack of role.There are some referable opinions on the development of words in the view of culture today.