| Japanese director Nakashima Tetsuya’s film has a unique personal style.With his fancy and fluent,fantastic and magnificent audio-visual language,he expresses the profound philosophical thinking of critical realism.This thesis,taking his eight films as the research object,uses the method of text analysis to discuss the formation and characteristics of his film’s audio-visual style and explores the possibility of audio-visual language style.The article is divided into five parts.The introduction part explains the original intention of the topic,introduces the academic concern about the Tetsuya Nakajima movie,and states the research methods of this article.The second part reviews the style presented by eight films by Tetsuo Nakajima and refines the three periods of his film creation.The third part summarizes the audio-visual language techniques commonly used by Tetsujiro Nakajima and gives examples,which is the focus of this article.The fourth part as an epilogue,summarizes the views of this article.Nakashima Tetsuya also used alienation techniques to show alienation,division and black humor.His film is a combination of flashy and speculative.Flashy reflected in its bold use of advertising MTV audio-visual aesthetics to quickly attract the eye,making the film stylish and lovable;speculation is reflected in its profound social critique of the reality and thinking.At these two levels,the director has played to the extreme.As an audience,everyone can take what they need,a matter of opinion,some in the light and shade to see the beauty of audio-visual,and some hear in the philosophical voice of reality. |
