A Comparison Of The Theme Of Sadness Between The Nineteen Ancient Poems And Jian'an Five-word Poems

"Sadness" and "tragedy" are important concepts in the Western aesthetic system,but there is no clear definition of "sadness" in Chinese classical literature and art theory,but the ancient literati have created many works of tragic theme in the theory and practice of classical literature.The theme of sadness in Chinese classical literature often has specific social and economic conditions and complex historical and cultural background,and the Han-Wei era is such an important node of literary development,but also the golden age of the tragic theme in literary creation.This paper takes the most representative "19 Ancient poems" and Jian ' an fiveword poem as the research object in Han and Wei dynasties,on the basis of the textual research on the time,the criteria and the scope of the selection of poetic texts,and the definition of "sadness" in this paper,the two are compared and the full text is divided into four parts.The first chapter summarizes and divides the theme of sadness in the 19 poems of ancient poetry.The theme of "sadness" in "19 ancient poems" is summed up as sentimental's love,wandering Homeward's Shi feeling,the frustrated feeling of years and inconstancy pathos.Chapter two analyzes and explores the theme of sadness in Jian ' an five-word poem.Combining the main five-verse works of Cao Seven and Cai Yan,this paper analyzes the four dimensions of the theme of "sadness",that is,the pain of missing out,the feeling of life is perishable,the difficulty of the achievements and the hardship of the people's livelihood.The third chapter is on the basis of the division of "Sadness" in the first two chapters,the author compares the 19 poems of ancient poetry with Jian ' an five-word poem.On the one hand,the author analyzes the inheritance of Jian ' an five-word poem to the four aspects of the 19 ancient poems,mainly in the reiterative choice and Shinu,in the choice and similarity of the lexical patterns,in the continuation and inheritance of the theme imagery and the inheritance of the lyrical way of the implicit implication and America.The fourth chapter is the sublimation part of the article.On the one hand,it deeply digs into the causes of the theme of "sadness",mainly analyzes the four reasons of the turbulent social environment in the late Eastern Han Dynasty,the conscious awakening of literary creation,the rational pursuit of Wenning,and the music vogue of "taking sadness as beauty".On the other hand,through excavating the aesthetic value behind the "sadness",that is,for the "tragedy",the completion of the works in the depth,artistry and breakthrough three aspects of transcendence;for the "people of Sadness",complete the purification and sublimation of the mind,So that people struggling in misery can finally take an aesthetic perspective of life experience and encounter,so as to resist the "sadness" a power.