A Study Of Imitating Poems In "Nineteen Ancient Poems" In Ming And Qing Dynasties

Since the Western Jin Dynasty Luji simulated the "Nineteen Ancient Poems",there have been no shortage of "Nineteen Ancient Poems" in the past dynasties.Through the collection,a total of 903 proposed poems in the "Nineteen Ancient Poems" of the Ming and Qing dynasties were sorted out,involving 139 poets,and the number was the largest in all dynasties.There are two feasibility for the research on the imitation poems of "Nineteen Ancient Poems" in Ming and Qing Dynasties: First,the predecessors have made relevant discussions on the imitation poems of "Nineteen Ancient Poems" from the Jin and Southern and Northern Dynasties to the Song and Yuan Dynasties,but the number of imitation poems The huge Ming and Qing Dynasties lacked systematic attention;the second is the existing research results on the theme of "simulation" and "simulation" and the research results of the specific "Nineteen Ancient Poems"."Nineteen Ancient Poems" simulated literary works including imitated poems have important value significance.Therefore,a systematic study was carried out with the imitating poems of "Nineteen Ancient Poems" of Ming and Qing Dynasties as the research object.The article is divided into four chapters:The first chapter sorts out the relevant situation of the imitated poems of "Nineteen Ancient Poems" from the Jin,Southern and Northern Dynasties to the Song and Yuan Dynasties,including introducing the number of imitated poems in each generation,the poets involved and the characteristics of imitated poems.In the past dynasties,imitation poems have inherited and developed the "Ancient Poems" related artistic techniques.In terms of themes,the themes of the poems in the Jin,Southern and Northern Dynasties and Sui and Tang Dynasties mostly inherited the "Ancient Poems",but there have been more obvious changes in the Song and Yuan Dynasties.At the same time,each generation of imitated poems has their own characteristics,and they are connected with each other with a common simulation object,forming a "chain" of imitating poems that lasts for thousands of years.The second chapter specifically analyzes the theme content,type and the motivation of the imitation poems of "Nineteen Ancient Poems" in Ming and Qing Dynasties.The themes of "Nineteen Ancient Poems" in the Ming and Qing Dynasties include three groups of six categories: parting and sadness and life consciousness,contemporary feelings and personal aspirations,friendships and friends are difficult to find;in terms of types,they are divided according to the simulation method of poems.,Can be divided into poems of imitation and chanting,according to the corresponding situation of the theme and purpose of the poem,including three types of simulation of the same purpose,simulation of the opposite purpose and creative simulation;The retro tradition,the prevalence of retro atmosphere,the practice of retro theory and the personal needs of poets.The third chapter compares the "Nineteen Ancient Poems" of Ming and Qing Dynasties with "Ancient Poems" and the pseudo-poems of the Jin and Yuan Dynasties,and analyzes the inheritance,new changes and overall characteristics of the Ming and Qing pseudo-poems.Compared with the original and previous dynasties,the simile poems in the Ming and Qing Dynasties have inherited and changed in terms of poetic system,subject content,artistic technique and style characteristics.Further enhancements and contemporary features.The fourth chapter analyzes the literary and literary historical value of imitating poems in "Nineteen Ancient Poems" in Ming and Qing Dynasties.The literary value of imitated poems in the Ming and Qing dynasties included that imitated poem writing was helpful for poets to express emotions;imitated poem writing demonstrated the ideal pursuit of natural,implication,and true expression of poetry.There are three values in literary history: imitative poetry is a participant and witness of the retrospect of classical aesthetic ideals and the development and changes of retro thought;imitative poetry continues the life of the five-character ancient poems of the Han and Wei Dynasty to a certain extent;imitative poetry writing continues the sadness of Chinese classical literature."Tradition.The conclusion part makes two cognitive statements with the help of the special study of "Nineteen Ancient Poems of Ming and Qing Dynasties".He made an introduction to the development and evolution of the "Nineteen Ancient Poems" of the past dynasties in three aspects: first,the simulation of the writing of "Nineteen Ancient Poems" became more and more prosperous with the passage of time;Connectivity;the third is that the past dynasties have their own characteristics.The second is to explain the literary creation method of "simulation" and related literary works in three points: firstly,"simulation" writing has its "limits";The third is to have an objective and comprehensive understanding of the literary phenomenon of "simulation" and the value and significance of "simulation" literary works including quasi-poetry.