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A Comparative Study Of "Paintings Of Heavy Color" And "Mentang School Tang-ga"

Posted on:2019-11-08Degree:MasterType:Thesis
Country:ChinaCandidate:S ChangFull Text:PDF
GTID:2405330563453021Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In a certain sense,the traditional Chinese painting and the Tibetan Mian Tang painting can be referred to as "work pen figure painting" in a certain sense.The development of painting can not be separated from cultural exchange and fusion.Under the background of the great cultural exchange at home and abroad,the meticulous figure painting and the Mian Tang Tang card are also injected fresh vitality into the background.It presents a flourishing trend.The "unity of nature and man" in the Han culture is regarded as an organic whole with nature and society,heart and thing,transcendence and internal,and as a cultural inheritance,the Tang card itself implies a mysterious and strong religious and cultural color.A comparative study of the two can not only make a glimpse of the two different aesthetic orientation,but also help us to recognize the important value of the two in the fields of humanities,art,religion and other related fields,and the influence of many factors,such as the Chinese and Tibetan national thought and culture,the geographical environment,and so on.The transformation and innovation of the language form in the creation of Chinese and Tibetan figure painting can produce different artistic effects in combination with other artistic forms,and enrich the artistic language of the painting.The transformation of language form not only opens up a new artistic level for the meticulous figure painting,but also allows the artists to make full use of their own advantages to explore the expression content of the artistic characteristics of the meticulous painting.Through the comparative study of the aesthetic ideas and differences of the heavy painting and the mian Tang School of Tang Ka,such as the content of the subject,the composition of the picture,the image modeling and the method of coloring,this paper seeks to form the influence factors of the similarities and differences,and then sums up some of the opinions of the author,so as to keep up the trend of the modernization of the art.Explore innovation.
Keywords/Search Tags:Opaque color painting of the figure, tang-ga, mentang school, Differences, the present age
PDF Full Text Request
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