A Brief Discussion On The Create Environment Of ShiTao Landscape Painting

As one of the four monks in the late Ming and early Qing Dynasty,Shi Tao was not only a painter but also a theorist.The young monk was affected by Zen Buddhism and his background of life is inseparable from life after,enjoy the well-known mountains and rivers "ShiZaoHua",he focused on,advocate "do search Qifeng scratch" to nature as a teacher.In the creative writing,without prejudice to the shackles of the people,have their own creative thinking.In his later years,he wrote"HuaYuLu",and put forward the idea of "painting and calligraphy should follow the times","three fold and two stages","impossible method","God meeting and tracing"and so on.The creation of his life had a profound influence on posterity.Through five chapters,this article tries to sort out and interpret the aesthetic thoughts of Shi Tao'slandscape painting.The first chapter of this article gives a brief introduction to the influence of Shi Tao's displaced life and Zen painting on his painting.The second chapter mainly introduces the creation of landscape painting.At first,it briefly introduces the conception and connotation of creation.Then it analyzes the development process of landscape painting in Song,Yuan,Ming and Qing Dynasties and interpretation of "HuaYuLu " realm theory,at the same time,three important periods in this chapter from Shi Tao's Wuchang period,Xuancheng period,Nanjing Yangzhou during the period of his artistic career painting creation style is discussed.The third chapter mainly from the different forms and interpretation of Shi Tao's landscape painting creation.In the long-term painting practice,Shi Tao put forward the aesthetic idea of"searching for drafts of draft Qifeng" and paid attention to the importance of practice so as to reach the realm of "harmony between man and nature".Shi Tao is bold in making innovations,drawing novelties and conducting in-depth study of ink and calligraphy."Enlightenment"and"life" are important aesthetic thoughts in "one painting" theory.Ink shows "the spirit of being blessed" and pen shows "life God." If the landscape painter wants to make the natural expression more vivid,he must rely on the pen and ink to reach the level of perfection.The fourth chapter expounds the ideological connotation of landscape painting and puts forward the importance of"one painting" theory.Against "ancient law" advocating "my law",so as to achieve the realm of "impossible law",and put forward "God encounter" and "trace" to make the picture show the state of integration of mountains and rivers with me.The last chapter of the built environment of his landscape painting influence,Chinese theory of art history has made important contributions and influence of generations.In this paper,through a comprehensive and systematic analysis of the famous landscape painting creation,positive effects on contemporary painting practice.