A Comparative Study Of Melancholy Female Images In Gaiqi's And Modigliani's Works

As a yardstick to measure the development of society,the change of women's image shows the evolution of social values and the expectation of social development,and with the rising of women's social status,The social value carried by women is also changing constantly.The image of melancholy women combines the particularity of female group and the delicate extension of melancholy emotion,which is suitable to express the aesthetic tendency of artists and the invisible trend of social development.As a kind of painting subject,the melancholy female image is expressed by artists in various forms in China and the West.The continuous in-depth study of this subject is also a way to understand the social state and the artist's aesthetic consciousness.Two artists in different countries and different social backgrounds,due to their own emotions and the role of the external environment,They have chosen to express their psychological feelings through the image of female depression.The author points out that the two artists,under the influence of cultural background and social atmosphere,choose the reasons of similar creation type as the starting point.The aesthetic characteristics of the two works are analyzed and compared in detail,and then the unconscious blending of the melancholy female image between China and the West is discovered with the aid of artistic language,and finally the aesthetic meaning of the melancholy woman is returned to.In the aspect of semantic argumentation,the formation of a relatively complete research chain is of great significance to the exploration of the similarities and differences of aesthetic ideals between Chinese and foreign artists and to the further improvement of the analysis and interpretation of the melancholy images of women in different types and different social forms.At present,there are many case studies on Modiani at home and abroad.However,there are few achievements in independent research on the image of melancholy women.Due to the long-term neglect and lack of attention of the researchers to Gaiqi in history,there is no system for the study of his female figures.The two artists have not formed a system for the study of the female figures of the two artists.The different forms of expression of the same subject have not been clearly excavated.In addition,the research on the analysis and interpretation of the two works based on the female melancholy image is basically blank,so this paper mainly focuses on the aesthetic characteristics of the two works.Analyze and interpret the works in terms of artistic language and the value of meaning in order to demonstrate different societies and cultures The commonality of female melancholy image under the background provides theoretical support for further research on the melancholy beauty of Chinese and western female images.