A Study Of The Female Images In The Paintings Of Amedeo Modigliani

At the beginning of the 20 th century,Paris became the world’s art center.Many art schools were born,including the Paris School of painting.In this paper,Hammer,the Amedeo Modigliani of the Nothing in Common in the Paris School of painting,attempts to make some personal exploration of the Amedeo Modigliani,focusing mainly on the study of women images in Amedeo Modigliani paintings,this paper examines the innovation and breakthrough of Amedeo Modigliani in the depiction of female images,and analyzes the artistic expression of female images in Amedeo Modigliani paintings.In addition to the preface and conclusion,the full text is divided into four parts.The first part analyzes the evolution of the language style and the background of the subject matter of the Amedeo Modigliani,and concludes that the artistic style of the Amedeo Modigliani is related to its environment.Through the analysis of the social background and the growth experience of the Amedeo Modigliani,this paper studies the history of Amedeo Modigliani and the evolution of the figure painting style,and then studies the aesthetic tendency of Amedeo Modigliani female image creation.The second part is to study the influence of primitive aesthetics on Amedeo Modigliani’s paintings,that is,the creation of the female image in his paintings by primitive art.The third part is the central part of this paper,which analyzes the artistic forms of female image creation in Amedeo Modigliani paintings,and sums up the four aspects of female image creation in Amedeo Modigliani paintings,that is: The Appearance Of image-building;the form of image-building;the form of image-building;the choice of image-building;and to be demonstrated.The fourth part is the influence and significance of Amedeo Modigliani in the history of fine arts,through the study of the artistic expression of Amedeo Modigliani,this paper discusses the artistic value of the female images in Amedeo Modigliani’s paintings and the enlightenment of Amedeo Modigliani’s artistic creation to the current development of Chinese painting.